{"id":9949,"date":"2021-08-04T14:28:43","date_gmt":"2021-08-04T14:28:43","guid":{"rendered":"http:\/\/media-archive.blackartinamerica.com\/?p=9949"},"modified":"2021-08-02T15:14:45","modified_gmt":"2021-08-02T15:14:45","slug":"baia-bits-delilah-w-pierce","status":"publish","type":"post","link":"https:\/\/earthexhibitions.org\/media-archive\/?p=9949","title":{"rendered":"BAIA BITS: Delilah W. Pierce"},"content":{"rendered":"

BAIA BITS: Delilah W. Pierce<\/span><\/b><\/p>\n

Little Moments Where Knowledge Meets Art<\/span><\/i><\/p>\n\n

For Delilah W. Pierce, there was freedom in nature. Known for her vibrant and compelling depictions of the natural world, the talented painter, art advocate, and educator regularly promoted what she believed was the necessary role of art in enabling productive and rewarding lives, particularly for the Black community.<\/span>\u00a0<\/span><\/p>\n

Born in Washington, D.C. in 1904 to a service worker and a homemaker, Pierce was influenced by the culture, vibrant communal networks, and educational aspirations of the many progressive-minded Negroes forging their way in the nation\u2019s capital and along its popular U Street corridor, the epicenter of Black society. Despite segregation and periodic racial unrest, Pierce came of age in a rapidly changing city with strong middle class neighborhoods and schools where Negroes supported their own while simultaneously advocating for a more equitable social status.<\/span><\/p>\n

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DelilahWPierce\u2019s family was delighted to speak with the producer of
@MPTcollectibles<\/p><\/div>\n

In 1925, the 21 year-old Pierce<\/span> took her artistic skills and Howard University education back to the<\/span> DC Public Schools that had groomed her, beginning a 27-year career teaching art to secondary students. During this term, she would add a master\u2019s degree from Columbia University\u2019s<\/span> Teachers College, also working with friends and fellow DC-based artists, Alma Thomas and Lois Mailou Jones. Though raised and operating within an urban environment, Pierce\u2019s subsequent paintings commonly portrayed a more simple existence replete with natural landscapes and the New England oceanside imagery she encountered upon trips to Martha\u2019s Vineyard. Beginning in 1952\u2014the year she became an art professor at DC Teachers College\u2014Pierce embarked on the first of a series of study tours that would ultimately take her across Europe and Africa, as European landscapes would also appear in her work.\u00a0<\/span><\/p>\n

However, before and during her globetrotting, Pierce enthusiastically advocated for the arts on behalf of her students and her community. In a March 1952 contribution to <\/span>The Negro History Bulletin<\/span><\/i>, upon citing<\/span> the \u201cpitiful attention paid to the creative arts\u201d in educational curricula, Pierce stressed how professionals in fields ranging from psychology to sociology clearly promoted the role of art in enabling productive citizens:<\/span><\/p>\n

\u201c<\/span>All have had a strong feeling for the value of art experiences as vital factors in education from childhood throughout adulthood\u2014for early development, for finding oneself, for release from tensions and inhibitions, for relaxation and providing for the creative urge,\u201d <\/span><\/i>penned Pierce.<\/span> \u201cThinking persons feel that art experiences will become progressively more meaningful and significant as we come to know just how color, for instance, helps to release and direct the forces of feeling and imagination, and how pressing the child\u2019s\u2014and the adult\u2019s\u2014energies outward into clay directs and orders the forces of his \u201cspirit\u201d and strengthens him in his whole development and adjustment to life<\/span><\/i>.\u201d<\/span><\/p>\n

Later in life, Pierce\u2019s artwork and advocacy would be recognized by a variety of institutions ranging from universities to galleries to the United States Congress. Passing in 1992, Pierce\u2019s work can be found among the permanent collections of the Smithsonian Museum of American Art, University of District of Columbia, Howard University Gallery of Art, Evans Tibbs Collection, Barnett-Aden Collection, Smith-Mason Gallery of Art, and Bowie State College.<\/span><\/p>\n

Perhaps the <\/span>website<\/span><\/a> devoted to her life\u2019s work remembers her best:<\/span>\u00a0<\/span><\/p>\n

\u201cDelilah was an artist who captured her view of the natural world through the usage of vibrant colors and a keen sense of visual perspective. This was the world through the eyes of an African American urbanite who found freedom, comfort, and solace through rich exterior landscapes and coastal scenes, as well as the abstract images that lay within.\u201d<\/span><\/p>\n

BAIA BITS are produced in part by the generous support of our Patreon members with a special shout out to Zadig & Voltaire. <\/span><\/i><\/p>\n

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\"\"Stephanie Robinson, Esq.<\/strong> is a Lecturer on Law at Harvard Law School, a national media figure, author, former Chief Counsel to Senator Edward M. Kennedy, and former President and CEO of The Jamestown Project, a national think tank focusing on democracy. Ms. Robinson hosted her own national radio show, Roundtable with Stephanie Robinson<\/em>, a popular weekly 30-minute, talk-radio program focused on culture, politics, and relationships that aired on TSN. For over half a decade, Ms. Robinson was Political and Social Commentator for the Tom Joyner Morning Show<\/em> where she spoke to between 9 and 10 million people weekly, offering her perspective on the day\u2019s most pressing social and political issues.<\/p>\n

Robinson is co-author of Accountable: Making America as Good as Its Promise<\/u>, (Atria Books, 2009). She is a nationally recognized expert on issues relating to social policy, women, race, family, and electoral politics. She was featured as one of the 30 Young Leaders of the Future in Ebony Magazine and was profiled in the book As I Am: Young African American Women in a Critical Age<\/u>, by Julian Okwu. Robinson is a frequent speaker expressing her views in countless media outlets including the Associated Press, The Washington Post, C-Span, Fox News, NewsOne <\/em>and NPR<\/em>.<\/p>\n

Stephanie was a Member of President Clinton\u2019s first Mission to Africa regarding children orphaned by AIDS. Robinson, a magna cum laude graduate of the University of Maryland and the Harvard Law School, is a native of Steubenville, Ohio. She lives in Massachusetts with her husband and two sons.<\/p>\n

Would you buy stock in BAIA if you could? Well we invite you to join us in becoming a monthly supporter, starting at just $3 a month YOU<\/b> become a stakeholder and begin to help us transform lives through art. We are growing the BAIA team and will use your contributions to hire more team members for the purpose of creating more educational and marketing resources for schools and universities about african american artists both past and present. Such art initiatives and educational programming like Blacklite with Steve Prince, Relating to Art with Dr. Kelli Morgan, and BAIA BITS would not be possible without the ongoing support of our Patreon members. Please consider becoming a monthly Patreon member today!
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