{"id":9389,"date":"2021-04-03T11:30:36","date_gmt":"2021-04-03T11:30:36","guid":{"rendered":"http:\/\/media-archive.blackartinamerica.com\/?p=9389"},"modified":"2021-04-03T11:43:34","modified_gmt":"2021-04-03T11:43:34","slug":"baia-bits-clementine-hunter","status":"publish","type":"post","link":"https:\/\/earthexhibitions.org\/media-archive\/?p=9389","title":{"rendered":"BAIA BITS: Clementine Hunter"},"content":{"rendered":"

BAIA BITS: Clementine Hunter<\/span><\/b><\/p>\n

Little Moments Where Knowledge Meets Art<\/span><\/i><\/p>\n\n

It has been reported that Clementine Hunter, a mother of seven who worked as a Louisiana field hand in the first quarter of the 20<\/span>th<\/span> century, picked 78 pounds of cotton one morning before going home, summoning a midwife, and giving birth. A few days later, Hunter was back in the field picking cotton.\u00a0<\/span><\/p>\n

Born to a Creole family in 1886 or 1887, Hunter only attended school for 10 days and never learned to read or write given her preference to labor in the fields. Creole French was the only language she spoke for almost forty years until her second husband taught her English. About the same time, Hunter began working as a cook and housekeeper at Melrose Plantation, owned by Cammie Henry. Henry, an art lover, soon decided to create an artist\u2019s colony at the plantation where famous artists and writers could visit and create.<\/span><\/p>\n

One day in 1939, the 51-year-old Hunter was cleaning up when she came across some paint supplies left behind by New Orleans artist, Alberta Kinsey. Hunter proceeded to paint a picture of a river baptism on a window shade. The leaders of the colony took notice and its curator, Fran\u00e7ois Mignon, gave Hunter paints and materials. With the support of patrons like Mignon, Hunter soon earned a reputation as a talented painter, selling her vivid depictions of plantation life and rituals through local stores and outlets. Given Hunter couldn\u2019t write, her friends would sign the paintings for her, or she would scrawl a backwards C and H on the jugs, window shades, canvases, and cardboard boxes she adorned.<\/span><\/p>\n

Despite her increasing notoriety, Hunter remained poor for the majority of her life, selling her art for coins, and running tours of her works from home. Reportedly, she had a great passion for art and was not driven by the money, regularly giving her works away for free. Still, the prolific Louisiana artist, who is believed to have produced over 6000 works in the second half of her life, did receive numerous honors for her art including being the first African American to have a solo exhibition at the New Orleans Museum of Art. In the late 1970s, Hunter received an invitation to the White House from President Jimmy Carter in recognition of her artistic contributions.\u00a0<\/span><\/p>\n

In 1986, the Northwestern State University of Louisiana bestowed an honorary fine arts degree on the 100-year-old artist in recognition of her lifetime achievements. By the time of her passing in 1988, Hunter\u2019s art was on display at several major institutions about the nation, with her works being collected by such celebrities as Oprah Winfrey.<\/span><\/p>\n

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BAIA BITS are produced in part by the generous support of our Patreon members with a special shout out to Zadig & Voltaire.\u00a0<\/span><\/i><\/p>\n

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\"\"Stephanie Robinson, Esq.<\/strong> is a Lecturer on Law at Harvard Law School, a national media figure, author, former Chief Counsel to Senator Edward M. Kennedy, and former President and CEO of The Jamestown Project, a national think tank focusing on democracy. Ms. Robinson hosted her own national radio show, Roundtable with Stephanie Robinson<\/em>, a popular weekly 30-minute, talk-radio program focused on culture, politics, and relationships that aired on TSN. For over half a decade, Ms. Robinson was Political and Social Commentator for the Tom Joyner Morning Show<\/em> where she spoke to between 9 and 10 million people weekly, offering her perspective on the day\u2019s most pressing social and political issues.<\/p>\n

Robinson is co-author of Accountable: Making America as Good as Its Promise<\/u>, (Atria Books, 2009). She is a nationally recognized expert on issues relating to social policy, women, race, family, and electoral politics. She was featured as one of the 30 Young Leaders of the Future in Ebony Magazine and was profiled in the book As I Am: Young African American Women in a Critical Age<\/u>, by Julian Okwu. Robinson is a frequent speaker expressing her views in countless media outlets including the Associated Press, The Washington Post, C-Span, Fox News, NewsOne <\/em>and NPR<\/em>.<\/p>\n

Stephanie was a Member of President Clinton\u2019s first Mission to Africa regarding children orphaned by AIDS. Robinson, a magna cum laude graduate of the University of Maryland and the Harvard Law School, is a native of Steubenville, Ohio. She lives in Massachusetts with her husband and two sons.<\/p>\n

Would you buy stock in BAIA if you could? Well we invite you to join us in becoming a monthly supporter, starting at just $3 a month YOU<\/b> become a stakeholder and begin to help us transform lives through art. We are growing the BAIA team and will use your contributions to hire more team members for the purpose of creating more educational and marketing resources for schools and universities about african american artists both past and present. Such art initiatives and educational programming like Blacklite with Steve Prince, Relating to Art with Dr. Kelli Morgan, and BAIA BITS would not be possible without the ongoing support of our Patreon members. Please consider becoming a monthly Patreon member today!
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