{"id":8635,"date":"2021-01-12T01:46:21","date_gmt":"2021-01-12T01:46:21","guid":{"rendered":"http:\/\/media-archive.blackartinamerica.com\/?p=8635"},"modified":"2021-01-12T01:48:19","modified_gmt":"2021-01-12T01:48:19","slug":"baia-bits-john-woodrow-wilson","status":"publish","type":"post","link":"https:\/\/earthexhibitions.org\/media-archive\/?p=8635","title":{"rendered":"BAIA BITS: John Woodrow Wilson"},"content":{"rendered":"<p style=\"text-align: center;\"><b>BAIA BITS: <span style=\"font-weight: 400;\">John Woodrow Wilson<\/span><\/b><\/p>\n<p style=\"text-align: center;\"><i><span style=\"font-weight: 400;\">Little Moments Where Knowledge Meets Art &#8212; <\/span><\/i>&#8220;Read by Stephanie Robinson&#8221;<\/p>\n<div id=\"m_-4963955680338263999appendonsend\"><\/div>\n<p style=\"text-align: center;\">\u00a0<iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/963851245&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"900\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">\u201cNone of these people looked like me and just by omission the implication was that black people were not capable of being beautiful and true and precious,\u201d offered John Woodrow Wilson, in an interview with the <\/span><i><span style=\"font-weight: 400;\">Boston Globe<\/span><\/i><span style=\"font-weight: 400;\"> upon the 1995 opening of his exhibit, \u201cDialogue: John Wilson\/Joseph Norman\u201d at the Museum of Fine Arts in Boston. This critique by the multitalented<\/span> <span style=\"font-weight: 400;\">sculptor, painter, and printmaker was aimed, not only at the prestigious museum that now celebrated him, but at the longstanding discriminatory practices of elite art institutions across the country.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">That said, for Wilson, the inequitable traditions of the Museum of Fine Arts in Boston hit closest to home.<\/span> <span style=\"font-weight: 400;\">The son of immigrants from British Guiana,<\/span> <span style=\"font-weight: 400;\">Wilson was born in the Roxbury<\/span> <span style=\"font-weight: 400;\">neighborhood of Boston<\/span> <span style=\"font-weight: 400;\">in 1922<\/span> <span style=\"font-weight: 400;\">and began drawing and painting at an early age. As a teen visiting the Boston-based museum, he was ever aware of the stark absence of any significant art or sculptures that looked like him. This recognition\u2014coupled with his father\u2019s regular reading of <\/span><i><span style=\"font-weight: 400;\">The Amsterdam News<\/span><\/i><span style=\"font-weight: 400;\"> which commonly reported on the lynchings of the day\u2014fueled Wilson\u2019s lifelong incorporation of social issues and racial themes in his art.<\/span><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In 1939, both ironically and intentionally, Wilson enrolled in the School of the Boston Museum of Fine Arts on a full scholarship. Later, he attended and graduated from<\/span> <span style=\"font-weight: 400;\">Tufts University before receiving fellowships to study abroad in Paris and Mexico City. Along the way, Wilson became a socialist; networked with the likes of Elizabeth Catlett,<\/span> <span style=\"font-weight: 400;\">Paul Robeson, and Charles White; and, in 1950, married fellow socialist<\/span> <span style=\"font-weight: 400;\">Julie Kowitch. When heading to Mexico<\/span> <span style=\"font-weight: 400;\">to study mural making, the interracial couple was forced to drive in separate cars when travelling through the southern United States. After living in Mexico for six years, Wilson returned to the states to teach in New York before going home to teach drawing at Boston University for over two decades.<\/span><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In 1986, upon winning a nationwide competition, Wilson drove to Washington D.C. and entered the Capitol building for the first time, bearing a sculpture wrapped in blankets and an old sleeping bag. The three-foot tall bronze bust of the Rev. Martin Luther King Jr. remains in the Capitol Rotunda to this day.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cSomehow it seemed like the epitome of the seat of power, and it alienated me,\u201d Wilson told the <\/span><i><span style=\"font-weight: 400;\">Boston Globe<\/span><\/i><span style=\"font-weight: 400;\">, in 1986, about the Capitol building. \u201cI never felt part of it.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cBut when I delivered the sculpture, that changed. I felt, \u2018A piece of me is in that building.\u201d<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">BAIA BITS are produced in part by the generous support of our Patreon members with a special shout out to Zadig &amp; Voltaire.\u00a0<\/span><\/i><\/p>\n<div id=\"attachment_7471\" style=\"width: 548px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/shopbaiaonline.com\/\"><img aria-describedby=\"caption-attachment-7471\" loading=\"lazy\" class=\"wp-image-7471\" src=\"https:\/\/i0.wp.com\/media-archive.blackartinamerica.com\/wp-content\/uploads\/2020\/05\/buy-black-art-graf_5.jpg?resize=538%2C349\" alt=\"\" width=\"538\" height=\"349\" data-id=\"7471\" srcset=\"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2020\/05\/buy-black-art-graf_5.jpg?w=855&amp;ssl=1 855w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2020\/05\/buy-black-art-graf_5.jpg?resize=300%2C195&amp;ssl=1 300w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2020\/05\/buy-black-art-graf_5.jpg?resize=768%2C499&amp;ssl=1 768w\" sizes=\"(max-width: 538px) 100vw, 538px\" data-recalc-dims=\"1\" \/><\/a><p id=\"caption-attachment-7471\" class=\"wp-caption-text\">Browse and shop for fine art from our growing network of artists, collectors, estates, galleries &#8212; specializing in works by Black American artists with great values on premier art.<\/p><\/div>\n<h1 class=\"post-title\" style=\"text-align: center;\"><span style=\"color: #ff6600;\">START COLLECTING ART<\/span><\/h1>\n<p style=\"text-align: left;\">Sign up for our\u00a0<span style=\"color: #333399;\"><a style=\"color: #333399;\" href=\"http:\/\/media-archive.blackartinamerica.com\/index.php\/startcollectingart\/\"><u>free\u00a0email course<\/u><\/a>\u00a0<\/span>on how to begin your collection.<\/p>\n<p style=\"font-weight: 400;\"><strong><img loading=\"lazy\" class=\"alignleft size-medium wp-image-8639\" src=\"https:\/\/i0.wp.com\/media-archive.blackartinamerica.com\/wp-content\/uploads\/2021\/01\/Stephanie-Robinson-PIC-218x300.jpg?resize=218%2C300\" alt=\"\" width=\"218\" height=\"300\" data-id=\"8639\" srcset=\"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2021\/01\/Stephanie-Robinson-PIC.jpg?resize=218%2C300&amp;ssl=1 218w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2021\/01\/Stephanie-Robinson-PIC.jpg?resize=744%2C1024&amp;ssl=1 744w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2021\/01\/Stephanie-Robinson-PIC.jpg?resize=768%2C1058&amp;ssl=1 768w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2021\/01\/Stephanie-Robinson-PIC.jpg?w=854&amp;ssl=1 854w\" sizes=\"(max-width: 218px) 100vw, 218px\" data-recalc-dims=\"1\" \/>Stephanie Robinson, Esq.<\/strong>\u00a0is a Lecturer on Law at Harvard Law School, a national media figure, author, former Chief Counsel to Senator Edward M. Kennedy, and former President and CEO of The Jamestown Project, a national think tank focusing on democracy.\u00a0\u00a0Ms. Robinson hosted her own national radio show,\u00a0<em>Roundtable with Stephanie Robinson<\/em>, a popular weekly 30-minute, talk-radio program focused on culture, politics, and relationships that aired on TSN.\u00a0\u00a0For over half a decade, Ms. Robinson was Political and Social Commentator for the\u00a0<em>Tom Joyner Morning Show<\/em>\u00a0where she spoke to between 9 and 10 million people weekly, offering her perspective on the day\u2019s most pressing social and political issues.<\/p>\n<p style=\"font-weight: 400;\">Robinson is co-author of\u00a0<u>Accountable: Making America as Good as Its Promise<\/u>, (Atria Books, 2009). She is a nationally recognized expert on issues relating to social policy, women, race, family, and electoral politics.\u00a0\u00a0She was featured as one of the 30 Young Leaders of the Future in Ebony Magazine and was profiled in the book\u00a0<u>As I Am: Young African American Women in a Critical Age<\/u>, by Julian Okwu.\u00a0\u00a0Robinson is a frequent speaker expressing her views in countless media outlets including the\u00a0<em>Associated Press, The Washington Post, C-Span, Fox News, NewsOne\u00a0<\/em>and<em>\u00a0NPR<\/em>.<\/p>\n<p style=\"font-weight: 400;\">Stephanie was a Member of President Clinton\u2019s first Mission to Africa regarding children orphaned by AIDS. Robinson, a magna cum laude graduate of the University of Maryland and the Harvard Law School, is a native of Steubenville, Ohio. She lives in Massachusetts with her husband and two sons.<\/p>\n<p>Would you buy stock in BAIA if you could? Well we invite you to join us in becoming a monthly supporter, starting at just $3 a month\u00a0<b>YOU<\/b> become a stakeholder and begin to help us transform lives through art. We are growing the BAIA team and will use your contributions to hire more team members for the purpose of creating more educational and marketing resources for schools and universities about african american artists both past and present. Such art initiatives and educational programming like Blacklite with Steve Prince, Relating to Art with Dr. Kelli Morgan, and BAIA BITS would not be possible without the ongoing support of our Patreon members. Please consider becoming a monthly Patreon member today!<br \/>\n\u200b<br \/>\nReview our list of rewards for becoming a BAIA\u00a0<span style=\"color: #3366ff;\"><span style=\"color: #333399;\"><a style=\"color: #333399;\" href=\"https:\/\/www.patreon.com\/blackartinamerica\">Patreon<\/a><\/span>\u00a0<\/span>\/ patron supporter. Your monthly contribution has lasting benefits. \u2014 \u201cWhat will your legacy be\u201d \u2013 Dr. Margaret Burroughs<\/p>\n<h1 style=\"text-align: center;\">Thank you new and <span style=\"color: #808080;\">recurring monthly<\/span> Patrons<\/h1>\n<p><strong>Deloris and Eddie Young<\/strong>,\u00a0<strong>Esther Silver-Parker<\/strong>,\u00a0<strong>Eugene Foney<\/strong>,\u00a0<strong>Zadig &amp; Voltaire,\u00a0<\/strong><strong>Petrucci Family Foundation Collection of African American Art<\/strong>,\u00a0<strong>National Black Arts Festival, Dr. Leslie Fields, Jim Nixon, Dr. Michael Butler,<\/strong>\u00a0Matthew Putman,\u00a0<strong>Grant Hill<\/strong>,\u00a0<strong>Frank Frazier<\/strong>,\u00a0<strong>Houston Museum of African American Culture<\/strong>,\u00a0<strong>Joan Crisler<\/strong>, Dee Greer, March on Washington Film Festival, Danny Jenkins,\u00a0<strong>Deborah L. 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&#8220;Read by Stephanie Robinson&#8221; \u00a0\ufeff \u201cNone of these people looked like me and just by omission the implication was that black people were not capable of being beautiful and true and precious,\u201d offered John Woodrow Wilson, in an interview with the Boston Globe [&hellip;]<\/p>\n<div class=\"sharedaddy sd-sharing-enabled\"><div class=\"robots-nocontent sd-block sd-social sd-social-official sd-sharing\"><h3 class=\"sd-title\">Share this:<\/h3><div class=\"sd-content\"><ul><li class=\"share-facebook\"><div class=\"fb-share-button\" data-href=\"https:\/\/earthexhibitions.org\/media-archive\/?p=8635\" data-layout=\"button_count\"><\/div><\/li><li><a href=\"#\" class=\"sharing-anchor sd-button share-more\"><span>More<\/span><\/a><\/li><li class=\"share-end\"><\/li><\/ul><div class=\"sharing-hidden\"><div class=\"inner\" style=\"display: none;\"><ul><li class=\"share-reddit\"><div class=\"reddit_button\"><iframe src=\"https:\/\/www.reddit.com\/static\/button\/button1.html?newwindow=true&width=120&amp;url=https%3A%2F%2Fearthexhibitions.org%2Fmedia-archive%2F%3Fp%3D8635&amp;title=BAIA%20BITS%3A%20John%20Woodrow%20Wilson\" height=\"22\" width=\"120\" scrolling=\"no\" frameborder=\"0\"><\/iframe><\/div><\/li><li class=\"share-twitter\"><a href=\"https:\/\/twitter.com\/share\" class=\"twitter-share-button\" data-url=\"https:\/\/earthexhibitions.org\/media-archive\/?p=8635\" data-text=\"BAIA BITS: John Woodrow Wilson\" data-via=\"baiaonline\" >Tweet<\/a><\/li><li class=\"share-end\"><\/li><li class=\"share-tumblr\"><a class=\"tumblr-share-button\" target=\"_blank\" href=\"https:\/\/www.tumblr.com\/share\" data-title=\"BAIA BITS: John Woodrow Wilson\" data-content=\"https:\/\/earthexhibitions.org\/media-archive\/?p=8635\" title=\"Share on Tumblr\"data-posttype=\"link\">Share on Tumblr<\/a><\/li><li class=\"share-linkedin\"><div class=\"linkedin_button\"><script type=\"in\/share\" data-url=\"https:\/\/earthexhibitions.org\/media-archive\/?p=8635\" data-counter=\"right\"><\/script><\/div><\/li><li class=\"share-end\"><\/li><li class=\"share-pinterest\"><div class=\"pinterest_button\"><a href=\"https:\/\/www.pinterest.com\/pin\/create\/button\/?url=https%3A%2F%2Fearthexhibitions.org%2Fmedia-archive%2F%3Fp%3D8635&#038;media=https%3A%2F%2Fi0.wp.com%2Fearthexhibitions.org%2Fmedia-archive%2Fwp-content%2Fuploads%2F2021%2F01%2FJohn-Wilson-Martin-Luther-King-Jr.png%3Ffit%3D455%252C303%26ssl%3D1&#038;description=BAIA%20BITS%3A%20John%20Woodrow%20Wilson\" data-pin-do=\"buttonPin\" data-pin-config=\"beside\"><img src=\"\/\/assets.pinterest.com\/images\/pidgets\/pinit_fg_en_rect_gray_20.png\" \/><\/a><\/div><\/li><li class=\"share-end\"><\/li><\/ul><\/div><\/div><\/div><\/div><\/div>","protected":false},"author":1,"featured_media":8636,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_mi_skip_tracking":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[2860,2861,2862,2864,2863],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2021\/01\/John-Wilson-Martin-Luther-King-Jr.png?fit=455%2C303&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9e2oK-2fh","_links":{"self":[{"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=\/wp\/v2\/posts\/8635"}],"collection":[{"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8635"}],"version-history":[{"count":2,"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=\/wp\/v2\/posts\/8635\/revisions"}],"predecessor-version":[{"id":8640,"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=\/wp\/v2\/posts\/8635\/revisions\/8640"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=\/wp\/v2\/media\/8636"}],"wp:attachment":[{"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8635"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8635"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8635"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}