{"id":8437,"date":"2020-12-15T10:37:07","date_gmt":"2020-12-15T10:37:07","guid":{"rendered":"http:\/\/media-archive.blackartinamerica.com\/?p=8437"},"modified":"2020-12-19T22:48:19","modified_gmt":"2020-12-19T22:48:19","slug":"baia-bits-gwendolyn-knight","status":"publish","type":"post","link":"https:\/\/earthexhibitions.org\/media-archive\/?p=8437","title":{"rendered":"BAIA BITS: Gwendolyn Knight"},"content":{"rendered":"<h2 style=\"text-align: center;\"><b>BAIA BITS: <span style=\"font-weight: 400;\">Gwendolyn<\/span><span style=\"font-weight: 400;\"> Knight<\/span><\/b><\/h2>\n<p style=\"text-align: center;\"><i><span style=\"font-weight: 400;\">Little Moments Where Knowledge Meets Art<\/span><\/i><\/p>\n<p style=\"text-align: center;\">\u00a0<iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/947829538&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"790\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<div style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"><\/div>\n<p><span style=\"font-weight: 400;\">Times were hard.\u00a0 The year was 1933, and America sagged under the ongoing impact of the Great Depression. Unemployment was high, and many businesses had closed their doors for good. Among the institutions hit hard by the worldwide economic downturn was Howard University in Washington, DC. Among the many students impacted by the crisis was talented young painter and Fine Arts major, <\/span><span style=\"font-weight: 400;\">Gwendolyn<\/span><span style=\"font-weight: 400;\"> Knight, who was forced to leave Howard and return to her New York home.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ironically, this unfortunate turn proved fortuitous. In Harlem, the Barbados-born Knight became active in the vibrant local arts community, engaging in workshops while studying painting and sculpture at the Harlem Community Art Center under Augusta Savage.\u00a0 Savage mentored Knight, furthering her exploration and promotion of African American culture.\u00a0 Simultaneously, Knight associated with the leading writers and activists of the Harlem Renaissance including Langston Hughes and Claude McKay while networking with emerging artists like Romare Bearden.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In 1934, a year after leaving Howard, Knight joined the Works Progress Administration Mural Project where she met rising young painter, Jacob Lawrence.\u00a0 The two would inspire each other as artists, with Lawrence focused on narrative paintings of African American history and culture, and Knight dedicated to portraiture, still life and urbanity.\u00a0 In 1941, the couple married. Five years later, they accepted the invite of German art educator, Josef Albers, to teach at the top avant-garde school, Black Mountain College in North Carolina.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In the 1950s, Knight and Lawrence returned to New York to pursue their art. And in the mid-1960s, they traveled to Nigeria as Lawrence\u2019s star continued to shine brightly over the art world.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">But for all of Lawrence\u2019s acclaim, Knight was a star in her own right, even if the larger art world had yet to notice.\u00a0 In 1976, five years after the couple relocated to Seattle for Lawrence\u2019s teaching position at the University of Washington, the National Links association featured Knight in a one-person show that put the larger art world on notice.\u00a0 The talented 62-year-old secured gallery representation as several major museums began acquiring her work and, for the next three decades, Knight won numerous awards while exhibiting at such venues as the Seattle Museum of Art, the Francine Seders Gallery in Seattle, and the Virginia Lacy Jones Gallery at Atlanta University.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In 2000, a year before Lawrence died, the couple founded the Jacob and Gwendolyn Knight Lawrence Foundation to support young and emerging artists. In 2003, the widely acclaimed \u201cNever Late for Heaven: The Art of Gwen Knight\u201d was presented at the Tacoma Art Museum.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Gwendolyn Knight died in Seattle on Feb. 18, 2005. She was 91.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">BAIA BITS are produced in part by the generous support of our Patreon members with a special shout out to Zadig &amp; Voltaire.\u00a0<\/span><\/i><\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_7471\" style=\"width: 548px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/shopbaiaonline.com\/\"><img aria-describedby=\"caption-attachment-7471\" loading=\"lazy\" class=\"wp-image-7471\" src=\"https:\/\/i0.wp.com\/media-archive.blackartinamerica.com\/wp-content\/uploads\/2020\/05\/buy-black-art-graf_5.jpg?resize=538%2C349\" alt=\"\" width=\"538\" height=\"349\" data-id=\"7471\" srcset=\"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2020\/05\/buy-black-art-graf_5.jpg?w=855&amp;ssl=1 855w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2020\/05\/buy-black-art-graf_5.jpg?resize=300%2C195&amp;ssl=1 300w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2020\/05\/buy-black-art-graf_5.jpg?resize=768%2C499&amp;ssl=1 768w\" sizes=\"(max-width: 538px) 100vw, 538px\" data-recalc-dims=\"1\" \/><\/a><p id=\"caption-attachment-7471\" class=\"wp-caption-text\">Browse and shop for fine art from our growing network of artists, collectors, estates, galleries &#8212; specializing in works by Black American artists with great values on premier art.<\/p><\/div>\n<h1 class=\"post-title\" style=\"text-align: center;\"><span style=\"color: #ff6600;\">START COLLECTING ART<\/span><\/h1>\n<p style=\"text-align: left;\">Sign up for our\u00a0<span style=\"color: #333399;\"><a style=\"color: #333399;\" href=\"http:\/\/media-archive.blackartinamerica.com\/index.php\/startcollectingart\/\"><u>free\u00a0email course<\/u><\/a>\u00a0<\/span>on how to begin your collection.<\/p>\n<p>Would you buy stock in BAIA if you could? Well we invite you to join us in becoming a monthly supporter, starting at just $3 a month\u00a0<b>YOU<\/b> become a stakeholder and begin to help us transform lives through art. We are growing the BAIA team and will use your contributions to hire more team members for the purpose of creating more educational and marketing resources for schools and universities about african american artists both past and present. Such art initiatives and educational programming like Blacklite with Steve Prince, Relating to Art with Dr. Kelli Morgan, and BAIA BITS would not be possible without the ongoing support of our Patreon members. Please consider becoming a monthly Patreon member today!<br \/>\n\u200b<br \/>\nReview our list of rewards for becoming a BAIA\u00a0<span style=\"color: #3366ff;\"><span style=\"color: #333399;\"><a style=\"color: #333399;\" href=\"https:\/\/www.patreon.com\/blackartinamerica\">Patreon<\/a><\/span>\u00a0<\/span>\/ patron supporter. Your monthly contribution has lasting benefits. \u2014 \u201cWhat will your legacy be\u201d \u2013 Dr. Margaret Burroughs<\/p>\n<h1 style=\"text-align: center;\">Thank you new and <span style=\"color: #808080;\">recurring monthly<\/span> Patrons<\/h1>\n<p><strong>Deloris and Eddie Young<\/strong>,\u00a0<strong>Esther Silver-Parker<\/strong>,\u00a0<strong>Eugene Foney<\/strong>,\u00a0<strong>Zadig &amp; Voltaire,\u00a0<\/strong><strong>Petrucci Family Foundation Collection of African American Art<\/strong>,\u00a0<strong>National Black Arts Festival, Dr. Leslie Fields, Jim Nixon, Dr. Michael Butler,<\/strong>\u00a0Matthew Putman,\u00a0<strong>Grant Hill<\/strong>,\u00a0<strong>Frank Frazier<\/strong>,\u00a0<strong>Houston Museum of African American Culture<\/strong>,\u00a0<strong>Joan Crisler<\/strong>, Dee Greer, March on Washington Film Festival, Danny Jenkins,\u00a0<strong>Deborah L. 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Weaver, Francene Greene, Julia Turner Lowe, Judith Hamilton, Ebony English, Alisa R Elliot, \u00a0Charlotte Bender, Edwina King Diva E, Kim Dubois, Raven Burnes, Kevin and Tracy Burton, Bridgette McCullough Alexander, Marnese Barksdale Elder, Luna Cascade, India Still, Patricia Andrews-Keenan, Jerome Moore, Shurvon Haynes, Jacqueline Konan, Jeanne H Chaney, Karen M Hirsch, Samori Augusto, Ann Tankersley, Yvonne Kennedy, Elayne Gross, Camille Lafleur, Donna Thompson Ray<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.patreon.com\/blackartinamerica\"><img loading=\"lazy\" class=\"wp-image-4651 size-full\" src=\"https:\/\/i0.wp.com\/media-archive.blackartinamerica.com\/wp-content\/uploads\/2018\/12\/patron.png?resize=464%2C108\" alt=\"\" width=\"464\" height=\"108\" data-id=\"4651\" srcset=\"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2018\/12\/patron.png?w=464&amp;ssl=1 464w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2018\/12\/patron.png?resize=300%2C70&amp;ssl=1 300w\" sizes=\"(max-width: 464px) 100vw, 464px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p style=\"text-align: center;\">We Appreciate your support<\/p>\n<div class=\"sharedaddy sd-sharing-enabled\"><div class=\"robots-nocontent sd-block sd-social sd-social-official sd-sharing\"><h3 class=\"sd-title\">Share this:<\/h3><div class=\"sd-content\"><ul><li class=\"share-facebook\"><div class=\"fb-share-button\" data-href=\"https:\/\/earthexhibitions.org\/media-archive\/?p=8437\" data-layout=\"button_count\"><\/div><\/li><li><a href=\"#\" class=\"sharing-anchor sd-button share-more\"><span>More<\/span><\/a><\/li><li class=\"share-end\"><\/li><\/ul><div class=\"sharing-hidden\"><div class=\"inner\" style=\"display: none;\"><ul><li class=\"share-reddit\"><div class=\"reddit_button\"><iframe src=\"https:\/\/www.reddit.com\/static\/button\/button1.html?newwindow=true&width=120&amp;url=https%3A%2F%2Fearthexhibitions.org%2Fmedia-archive%2F%3Fp%3D8437&amp;title=BAIA%20BITS%3A%20Gwendolyn%20Knight\" height=\"22\" width=\"120\" scrolling=\"no\" frameborder=\"0\"><\/iframe><\/div><\/li><li class=\"share-twitter\"><a href=\"https:\/\/twitter.com\/share\" class=\"twitter-share-button\" data-url=\"https:\/\/earthexhibitions.org\/media-archive\/?p=8437\" data-text=\"BAIA BITS: Gwendolyn Knight\" data-via=\"baiaonline\" >Tweet<\/a><\/li><li class=\"share-end\"><\/li><li class=\"share-tumblr\"><a class=\"tumblr-share-button\" target=\"_blank\" href=\"https:\/\/www.tumblr.com\/share\" data-title=\"BAIA BITS: Gwendolyn Knight\" data-content=\"https:\/\/earthexhibitions.org\/media-archive\/?p=8437\" title=\"Share on Tumblr\"data-posttype=\"link\">Share on Tumblr<\/a><\/li><li class=\"share-linkedin\"><div class=\"linkedin_button\"><script type=\"in\/share\" data-url=\"https:\/\/earthexhibitions.org\/media-archive\/?p=8437\" data-counter=\"right\"><\/script><\/div><\/li><li class=\"share-end\"><\/li><li class=\"share-pinterest\"><div class=\"pinterest_button\"><a href=\"https:\/\/www.pinterest.com\/pin\/create\/button\/?url=https%3A%2F%2Fearthexhibitions.org%2Fmedia-archive%2F%3Fp%3D8437&#038;media=https%3A%2F%2Fi0.wp.com%2Fearthexhibitions.org%2Fmedia-archive%2Fwp-content%2Fuploads%2F2020%2F12%2Fknight-graf.jpg%3Ffit%3D900%252C600%26ssl%3D1&#038;description=BAIA%20BITS%3A%20Gwendolyn%20Knight\" data-pin-do=\"buttonPin\" data-pin-config=\"beside\"><img src=\"https:\/\/i0.wp.com\/assets.pinterest.com\/images\/pidgets\/pinit_fg_en_rect_gray_20.png?w=750\" data-recalc-dims=\"1\" \/><\/a><\/div><\/li><li class=\"share-end\"><\/li><\/ul><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>BAIA BITS: Gwendolyn Knight Little Moments Where Knowledge Meets Art \u00a0\ufeff Times were hard.\u00a0 The year was 1933, and America sagged under the ongoing impact of the Great Depression. Unemployment was high, and many businesses had closed their doors for good. Among the institutions hit hard by the worldwide economic downturn was Howard University in [&hellip;]<\/p>\n<div class=\"sharedaddy sd-sharing-enabled\"><div class=\"robots-nocontent sd-block sd-social sd-social-official sd-sharing\"><h3 class=\"sd-title\">Share this:<\/h3><div class=\"sd-content\"><ul><li class=\"share-facebook\"><div class=\"fb-share-button\" data-href=\"https:\/\/earthexhibitions.org\/media-archive\/?p=8437\" data-layout=\"button_count\"><\/div><\/li><li><a href=\"#\" class=\"sharing-anchor sd-button share-more\"><span>More<\/span><\/a><\/li><li class=\"share-end\"><\/li><\/ul><div class=\"sharing-hidden\"><div class=\"inner\" style=\"display: none;\"><ul><li class=\"share-reddit\"><div class=\"reddit_button\"><iframe src=\"https:\/\/www.reddit.com\/static\/button\/button1.html?newwindow=true&width=120&amp;url=https%3A%2F%2Fearthexhibitions.org%2Fmedia-archive%2F%3Fp%3D8437&amp;title=BAIA%20BITS%3A%20Gwendolyn%20Knight\" height=\"22\" width=\"120\" scrolling=\"no\" frameborder=\"0\"><\/iframe><\/div><\/li><li class=\"share-twitter\"><a href=\"https:\/\/twitter.com\/share\" class=\"twitter-share-button\" data-url=\"https:\/\/earthexhibitions.org\/media-archive\/?p=8437\" data-text=\"BAIA BITS: Gwendolyn Knight\" data-via=\"baiaonline\" >Tweet<\/a><\/li><li class=\"share-end\"><\/li><li class=\"share-tumblr\"><a class=\"tumblr-share-button\" target=\"_blank\" href=\"https:\/\/www.tumblr.com\/share\" data-title=\"BAIA BITS: Gwendolyn Knight\" data-content=\"https:\/\/earthexhibitions.org\/media-archive\/?p=8437\" title=\"Share on Tumblr\"data-posttype=\"link\">Share on Tumblr<\/a><\/li><li class=\"share-linkedin\"><div class=\"linkedin_button\"><script type=\"in\/share\" data-url=\"https:\/\/earthexhibitions.org\/media-archive\/?p=8437\" data-counter=\"right\"><\/script><\/div><\/li><li class=\"share-end\"><\/li><li class=\"share-pinterest\"><div class=\"pinterest_button\"><a href=\"https:\/\/www.pinterest.com\/pin\/create\/button\/?url=https%3A%2F%2Fearthexhibitions.org%2Fmedia-archive%2F%3Fp%3D8437&#038;media=https%3A%2F%2Fi0.wp.com%2Fearthexhibitions.org%2Fmedia-archive%2Fwp-content%2Fuploads%2F2020%2F12%2Fknight-graf.jpg%3Ffit%3D900%252C600%26ssl%3D1&#038;description=BAIA%20BITS%3A%20Gwendolyn%20Knight\" data-pin-do=\"buttonPin\" data-pin-config=\"beside\"><img src=\"\/\/assets.pinterest.com\/images\/pidgets\/pinit_fg_en_rect_gray_20.png\" \/><\/a><\/div><\/li><li class=\"share-end\"><\/li><\/ul><\/div><\/div><\/div><\/div><\/div>","protected":false},"author":1,"featured_media":8438,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_mi_skip_tracking":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[1],"tags":[2795,2808],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2020\/12\/knight-graf.jpg?fit=900%2C600&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9e2oK-2c5","_links":{"self":[{"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=\/wp\/v2\/posts\/8437"}],"collection":[{"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8437"}],"version-history":[{"count":5,"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=\/wp\/v2\/posts\/8437\/revisions"}],"predecessor-version":[{"id":8446,"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=\/wp\/v2\/posts\/8437\/revisions\/8446"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=\/wp\/v2\/media\/8438"}],"wp:attachment":[{"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8437"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8437"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/earthexhibitions.org\/media-archive\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}