{"id":7516,"date":"2020-05-25T20:06:24","date_gmt":"2020-05-25T20:06:24","guid":{"rendered":"http:\/\/media-archive.blackartinamerica.com\/?p=7516"},"modified":"2020-05-25T20:07:41","modified_gmt":"2020-05-25T20:07:41","slug":"7516","status":"publish","type":"post","link":"https:\/\/earthexhibitions.org\/media-archive\/?p=7516","title":{"rendered":"Celebrating The Life Of Painter Emma Amos"},"content":{"rendered":"<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/-AYCmPakD8c\" width=\"790\" height=\"416\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>Celebrating the life of painter Emma Amos, Dr. Kelli Morgan discusses her favorite Amos painting &#8211; Measuring, Measuring. Produced in part by the generous support of our Patreon members. Consider becoming a monthly patron at <span style=\"color: #3366ff;\">https:\/\/www.patreon.com\/blackartinamerica<\/span><\/p>\n<h1 style=\"text-align: center;\"><a href=\"https:\/\/shopbaiaonline.com\/collections\"><img loading=\"lazy\" class=\" wp-image-7471 aligncenter\" src=\"https:\/\/i0.wp.com\/media-archive.blackartinamerica.com\/wp-content\/uploads\/2020\/05\/buy-black-art-graf_5.jpg?resize=750%2C487\" alt=\"\" width=\"750\" height=\"487\" data-id=\"7471\" srcset=\"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2020\/05\/buy-black-art-graf_5.jpg?w=855&amp;ssl=1 855w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2020\/05\/buy-black-art-graf_5.jpg?resize=300%2C195&amp;ssl=1 300w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2020\/05\/buy-black-art-graf_5.jpg?resize=768%2C499&amp;ssl=1 768w\" sizes=\"(max-width: 750px) 100vw, 750px\" data-recalc-dims=\"1\" \/><\/a><\/h1>\n<h1 class=\"post-title\" style=\"text-align: center;\"><span style=\"color: #ff6600;\">START COLLECTING ART<\/span><\/h1>\n<p>Sign up for our\u00a0<span style=\"color: #3366ff;\"><a style=\"color: #3366ff;\" href=\"http:\/\/media-archive.blackartinamerica.com\/index.php\/startcollectingart\/\"><u>free\u00a0email course<\/u><\/a><\/span>\u00a0on how to begin your collection.<\/p>\n<p><img loading=\"lazy\" class=\"alignleft size-medium wp-image-7310\" src=\"https:\/\/i0.wp.com\/media-archive.blackartinamerica.com\/wp-content\/uploads\/2020\/04\/dfdfs-1-300x300.png?resize=300%2C300\" alt=\"\" width=\"300\" height=\"300\" data-id=\"7310\" srcset=\"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2020\/04\/dfdfs-1.png?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2020\/04\/dfdfs-1.png?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2020\/04\/dfdfs-1.png?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2020\/04\/dfdfs-1.png?resize=700%2C700&amp;ssl=1 700w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2020\/04\/dfdfs-1.png?resize=200%2C200&amp;ssl=1 200w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2020\/04\/dfdfs-1.png?resize=400%2C400&amp;ssl=1 400w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2020\/04\/dfdfs-1.png?w=960&amp;ssl=1 960w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/>Originally from Detroit, MI., <strong>Dr. Kelli Morgan<\/strong> earned her doctorate in Afro-American Studies and a Graduate Certificate in Public History \u2013 Museum Studies in 2017 from the University of Massachusetts Amherst (UMass). A scholar and curator, Morgan has worked in a variety of curatorial, programming, teaching, and research positions at various institutions including The Tyler School of Art at Temple University, Wayne State University, the University of Michigan, the Birmingham Museum of Art, and the Pennsylvania Academy of the Fine Arts (PAFA).<\/p>\n<p>In early 2014, Morgan was awarded a dissertation fellowship from the prestigious Ford Foundation. She was also named the Curatorial Fellow of African American Art at the Birmingham Museum of Art (2014 \u2013 2015), and in 2016 became the inaugural recipient of The Winston &amp; Carolyn Lowe Curatorial Fellowship for Diversity in the Fine Arts at PAFA. As a critical race cultural historian, Morgan specializes in American art and visual culture. Her interdisciplinary research concentrates primarily on historic African American women artists, however her curatorial work often examines, critiques, and theorizes the ways in which American artists, art objects, art history, and art institutions both challenge and reify the systematic mechanisms of anti-Black violence and oppression in the United States. By analyzing the ways in which Americans construct visual discourses, conceptualize images, and sometimes resist these discourses, Morgan\u2019s curatorial and pedagogical practices link Art History, Women\u2019s Studies, African American History, and Museum Studies to create stimulating and culturally sensitive educational opportunities for students and public audiences alike.<\/p>\n<p>Currently, Dr. Morgan is Associate Curator of American Art at the Indianapolis Museum of Art (IMA) at Newfields.<\/p>\n<p><span style=\"color: #000000;\">Would you buy stock in BAIA if you could? Well we invite you to join us in becoming a monthly supporter, starting at just $3 a month\u00a0<b>YOU<\/b>\u00a0become a stakeholder and begin to help us transform lives through art. We are growing the BAIA team and will use your contributions to hire more team members for the purpose of creating more educational and marketing resources for schools and universities about african american artists both past and present.<\/span><br \/>\n<span style=\"color: #000000;\">\u200b<\/span><br \/>\n<span style=\"color: #000000;\">Review our list of rewards for becoming a BAIA\u00a0<span style=\"color: #3366ff;\"><a style=\"color: #3366ff;\" href=\"https:\/\/www.patreon.com\/blackartinamerica\">Patreon<\/a><\/span>\u00a0\/ patron supporter. Your monthly contribution has lasting benefits. \u2014 \u201cWhat will your legacy be\u201d \u2013 Dr. Margaret Burroughs<\/span><\/p>\n<h1 style=\"text-align: center;\">Thank you new and\u00a0<span style=\"color: #808080;\">recurring monthly\u00a0Patrons<\/span><\/h1>\n<p><strong>Deloris and Eddie Young<\/strong>,\u00a0<strong>Esther Silver-Parker<\/strong>,\u00a0<strong>Eugene Foney<\/strong>,\u00a0<strong>Petrucci Family Foundation Collection of African American Art<\/strong>,\u00a0<strong>National Black Arts Festival, Dr. Leslie Fields, Jim Nixon, Dr. Michael Butler,<\/strong>\u00a0Matthew Putman,\u00a0<strong>Grant Hill<\/strong>,\u00a0<strong>Frank Frazier<\/strong>,\u00a0<strong>Houston Museum of African American Culture<\/strong>,\u00a0<strong>Joan Crisler<\/strong>, Dee Greer, March on Washington Film Festival, Danny Jenkins,\u00a0<strong>Deborah L. McCullough<\/strong>, Ashlee Jacob, John and Melanie Guess, Tricia Konan, Michael Brinson,\u00a0<strong>Dr. A. 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