\u00a0Tamara Holmes Brothers has been appointed to the position of Director of Development at the Nasher Museum. Photo by J Caldwell.<\/p><\/div>\n<\/div>\n
Brothers\u2019s interest in university art museums began when she was an undergraduate student at Hampton University in Virginia, where she was a curatorial intern at the Hampton University Museum & Archives for four years. There, Brothers was one of 12 undergraduates from around the country selected for the intern training program in the project To Conserve a Legacy: American Art from Historically Black Colleges and Universities, curated by Jock Reynolds, Director of the Yale University Art Gallery, and Duke\u2019s own Richard J. Powell, John\u00a0Spencer Bassett Professor of American,\u00a0Afro-American and African Art,\u00a0Art History & Visual Studies. After graduation, Brothers earned a master\u2019s degree in Sport Management from West Virginia University and then joined the senior management team for the athletic department at Fayetteville State University as Assistant Athletic Director for Development & Marketing, raising funds and nurturing fan loyalty for 12 different sports. Soon after excelling in this area, she moved to the Division of Institutional Advancement for Fayetteville State University, where she cultivated corporate and foundation resources and partnerships for the Performing & Fine Arts Department and the Rosenthal Gallery, among other university entities.<\/p>\n
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The Nasher Museum\u2019s collection of works by artists of African descent was a significant draw for Brothers, who will start the position of Director of Development on October 1. Three years ago, Brothers and a friend drove from Fayetteville to the Nasher Museum to attend a gallery talk with Chief Curator Trevor Schoonmaker and artist Barkley L. Hendricks.<\/p>\n
\u201cI\u00a0can remember this distinctive gentleman entering into the museum, wearing a hat and a camera hanging from his\u00a0shoulder,\u201d she said. \u201cImmediately, I knew it was \u2018the featured artist,\u2019 none other than Mr. Barkley Hendricks himself!\u201d<\/p>\n
When the talk began, Brothers heard the clicking of a camera shutter and turned around to see Hendricks circling them, taking photos of her friend\u2019s shoes, right there in the gallery. He had a fascination with high-heeled shoes, he told them, particularly peep-toe heels. He made it a practice of photographing his subjects before transforming those images onto the canvas. \u201cWe laughed, we thanked Mr. Hendricks for his time and talent,\u201d Brothers said. \u201cAnd we were forever changed.\u201d<\/p>\n
\u201cArt changes everything, whether it is fine art or performing art,\u201d Brothers said. \u201cArt is not only important because it raises academic achievement, but it is important for social wellbeing, cultural awareness and real-world thinking.\u201d<\/p>\n
Universities need museums\u2014and that was the subject of Brothers\u2019 doctorate degree in Educational Management of Higher Education, which she earned at Hampton University in Virginia in 2016.<\/p>\n
Brothers has developed a statewide perspective of how cultural institutions improve life in North Carolina over the past decade. She serves on the boards of the North Carolina Arts Council Foundation and the North Carolina African American Heritage Commission. \u201cCultural organizations are essential to the American arts ecology,\u201d she said.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n