2017 MacArthur Foundation Fellow<\/a> who has served as a member of Columbia\u2019s faculty since 1998. He also served as a Distinguished College Artist from 2008-10.<\/p>\nBey began his career in 1975, photographing in the streets of Harlem, New York. The five-year project was later exhibited in his first solo exhibition,\u00a0Harlem, USA<\/em> at the Studio Museum in Harlem in 1979. Forty years after his Harlem USA<\/em> project, Bey returned to Harlem for his project Harlem Redux<\/em>, to look at the effects of rapid gentrification on the storied African American community. The large-scale color photographs are a visualization of the evolving social spaces within the Harlem community, and engage themes of memory, loss, absence, displacement, and transformation. These photographs continue his ongoing interest in excavating the social histories embedded in place.<\/p>\nOver the course of his career, Bey has received numerous fellowships and honors, including the John Simon Guggenheim Memorial Foundation Fellowship and a fellowship from the National Endowment for the Arts. He is also a 2015 United States Artist Fellow.<\/p>\n
In his Birmingham Project<\/em>, Bey evokes the tragic events of September 15, 1963, when four black girls and two boys were killed in Birmingham, Ala., in acts of racist violence. The diptych portraits depict young black children who are the ages of the young people killed that day, and women and men the ages they would have been 50 years later. The project also included a video work, 9.15.63<\/em>, about the quiet Sunday morning\u00a0that turned tragic.<\/p>\nBey is currently working on Station<\/em>, a group of works referencing the Underground Railroad in Ohio that will debut at FRONT International: Cleveland\u2019s Triennial for Contemporary Art in 2018. In Fall 2018, the University of Texas Press will publish a monograph of his work \u201cDawoud Bey: Seeing Deeply, 1975-2017.\u201d<\/p>\n<\/p>\n
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Bey\u2019s photographs have been widely published and exhibited extensively worldwide at institutions such as the Art Institute of Chicago, Barbican Centre in London, Brooklyn Museum, Studio Museum in Harlem, Museum of Modern Art, New York, Cleveland Museum of Art, Los Angeles County Museum of Art, Detroit Institute of Arts, High Museum of Art in Atlanta, National Portrait Gallery in London, Biblioth\u00e8que nationale de France in Paris, the Whitney Museum of American Art, San Francisco Museum of Modern Art, and the Museum of Contemporary Art, Chicago, among others. He is represented by Stephen Daiter Gallery in Chicago, Mary Boone Gallery in New York, and Rena Bransten Gallery in San Francisco. He received a BA in the Arts from SUNY-Empire State College, and an MFA from Yale University School of Art.<\/p>\n
For more information on the 2018 Columbia College Chicago Commencement exercises, visit students.colum.edu\/commencement\/<\/a>.<\/p>\n <\/p>\n