{"id":1520,"date":"2017-10-05T08:18:52","date_gmt":"2017-10-05T08:18:52","guid":{"rendered":"http:\/\/media-archive.blackartinamerica.com\/?p=1520"},"modified":"2017-10-05T08:20:11","modified_gmt":"2017-10-05T08:20:11","slug":"mickalene-thomas-highlights-her-muses-at-the-georgia-museum-of-art-at-the-university-of-georgia","status":"publish","type":"post","link":"https:\/\/earthexhibitions.org\/media-archive\/?p=1520","title":{"rendered":"Mickalene Thomas highlights her muses"},"content":{"rendered":"
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Mickalene Thomas highlights her muses<\/u><\/u><\/h1>\n
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The word \u201cmuse\u201d conjures an image of an ethereal ancient Greek figure, but artist Mickalene Thomas has a different, more grounded set of muses, comprising strong African American women, including her mother, friends and former lovers. Thomas is best known for her large-scale paintings of women, which complicate the art historical representation of female beauty and reconsider tropes around femininity, identity and desire.Currently based in Brooklyn, Thomas earned her bachelor of fine arts in painting at Pratt Institute in 2000 and a master of fine arts at the Yale University School of Art. She experimented with photography by taking photographs of herself and her mother. For each image, Thomas creates a tableau with furniture and fabrics that the models pose within. She uses stylistic influences from the 1970s, the civil rights movement and second-wave feminism as she puts forward a complex depiction of what it means to be a woman and an expansive definition of beauty. The Georgia Museum of Art at the University of Georgia will present the exhibition \u201cMuse: Mickalene Thomas Photographs and t\u00eate-\u00e0-t\u00eate\u201d from October 14, 2017, through January 7, 2018. More than 40 works by Thomas and artists whose work she has selected will be on view.Thomas\u2019 work both deconstructs and reappropriates art history while it reflects a personal community of inspiration. Her photograph \u201cLe D\u00e9jeuner sur l\u2019Herbe: Les Trois Femmes Noires,\u201d for example, reimagines Edouard Manet\u2019s famed painting of a bohemian picnic with three women who are close friends of the artist.<\/p>\n