{"id":12346,"date":"2022-05-20T15:29:42","date_gmt":"2022-05-20T15:29:42","guid":{"rendered":"http:\/\/media-archive.blackartinamerica.com\/?p=12346"},"modified":"2022-05-22T02:48:05","modified_gmt":"2022-05-22T02:48:05","slug":"baia-bits-william-elijah-smith","status":"publish","type":"post","link":"https:\/\/earthexhibitions.org\/media-archive\/?p=12346","title":{"rendered":"BAIA BITS: William Elijah Smith"},"content":{"rendered":"

BAIA BITS<\/strong><\/h1>\n

Little Moments Where Knowledge Meets Art<\/em><\/p>\n\n

Karamu House. Founded in 1915, the legendary arts institution originally known as the \u201cPlayhouse Settlement\u201d and located at the intersection of 38th Street and Central Avenue in Cleveland, Ohio would later relocate to East 89th Street and take on the Swahili name, Karamu, or a \u201cjoyful gathering.\u201d Karamu House is commonly recognized as the nation’s oldest African American theater.<\/p>\n

In the 1930s, amidst the Great Depression, the Playhouse served as a haven for youth of all races in need of stability and artistic expression. It was an ideal place for William Elijah Smith, a struggling African American teen who\u2019d lost his mother, was estranged from his father, and lived in abject poverty. Upon meeting Playhouse founders, Rowena and Russell Jelliffe, Smith\u2019s life would change as the couple supported him financially and encouraged his artistic development. The teen soon discovered the process of printmaking and began showing his work at the Cleveland Artists Exhibitions at the Cleveland Museum of Art.<\/p>\n

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William E. Smith, We Shall Overcome, Linocut, framed 20 1\/2 x 20 1\/2 in. (52.1 x 52.1 cm); image 13 x 13 in. (33.0 x 33.0 cm), Courtesy of William Watson Hines, New York, New York<\/p><\/div>\n

Along with his ongoing involvement with the Playhouse, Smith studied at the John Huntington Polytechnic Art Institute in Cleveland in the late 1930s on a five-year scholarship named for famous Black actor, Charles Gilpin. As part of Karamu Artists Incorporated, Smith and a group of colleagues including the likes of Hughie Lee-Smith, Fred Carlo, and Elmer W. Brown exhibited their artwork in Ohio and across the nation. This included a major debut on January 7, 1942 with Associated American Artists in New York where First Lady Eleanor Roosevelt served as the Honorary National Chairman.<\/p>\n

During World War II, Smith joined the army and is reported to have served with an all-Black regiment that participated in the famous mission in France known as the \u201cRed Ball Express.\u201d In 1944, the soldier-artist participated in a GI art contest and won a trip to Paris.\u00a0At war\u2019s end, Smith enrolled at the Cleveland School of Art before relocating to Los Angeles in 1950 to be near his sister upon the death of his brother. While working nights in the sign division of Lockheed Aircraft, he attended the Chouinard Art Institute and taught classes from his studio. During this period, he cofounded the Black Artists\u2019 Gallery, the first Los Angeles gallery devoted specifically to African American art. He exhibited his own work there and then later through the city\u2019s Afro-American Art Exhibit and at the Florenz Gallery in Hollywood.<\/p>\n

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William E. Smith, Fatigue (Poverty and Fatigue), Linocut, framed 17 1\/4 x 16 in. (43.8 x 40.6 cm); image 9 3\/4 x 9 in. (24.8 x 22.9 cm), Courtesy of William Watson Hines, New York, New York<\/p><\/div>\n

In 1960, Smith cofounded Art West Associated, a professional organization of Black artists that promoted their work and influence. In the 1970s, he published illustrations of prominent figures from African American history for Cleveland\u2019s New Day Press. And in 1976, Karamu House presented a retrospective of Smith\u2019s work, From Umbrella Staves to Brush and Easel<\/em>.<\/p>\n

Though disputed, it is believed that William Elijah Smith died in 1997. What\u2019s not<\/em> disputed is his legacy, given his friend, poet Langston Hughes, once characterized Smith\u2019s art as the \u201chumor and pathos of Negro life captured in line and color.\u201d<\/p>\n

BAIA BITS are produced in part by the generous support of our Patreon members with a special shout out to Zadig & Voltaire.<\/em><\/p>\n

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\"\"Stephanie Robinson, Esq.<\/strong> is a Lecturer on Law at Harvard Law School, a national media figure, author, former Chief Counsel to Senator Edward M. Kennedy, and former President and CEO of The Jamestown Project, a national think tank focusing on democracy. Ms. Robinson hosted her own national radio show, Roundtable with Stephanie Robinson<\/em>, a popular weekly 30-minute, talk-radio program focused on culture, politics, and relationships that aired on TSN. For over half a decade, Ms. Robinson was Political and Social Commentator for the Tom Joyner Morning Show<\/em> where she spoke to between 9 and 10 million people weekly, offering her perspective on the day\u2019s most pressing social and political issues.<\/p>\n

Robinson is co-author of Accountable: Making America as Good as Its Promise<\/u>, (Atria Books, 2009). She is a nationally recognized expert on issues relating to social policy, women, race, family, and electoral politics. She was featured as one of the 30 Young Leaders of the Future in Ebony Magazine and was profiled in the book As I Am: Young African American Women in a Critical Age<\/u>, by Julian Okwu. Robinson is a frequent speaker expressing her views in countless media outlets including the Associated Press, The Washington Post, C-Span, Fox News, NewsOne <\/em>and NPR<\/em>.<\/p>\n

Stephanie was a Member of President Clinton\u2019s first Mission to Africa regarding children orphaned by AIDS. Robinson, a magna cum laude graduate of the University of Maryland and the Harvard Law School, is a native of Steubenville, Ohio. She lives in Massachusetts with her husband and two sons.<\/p>\n

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