{"id":12049,"date":"2022-04-15T10:37:25","date_gmt":"2022-04-15T10:37:25","guid":{"rendered":"http:\/\/media-archive.blackartinamerica.com\/?p=12049"},"modified":"2022-04-12T10:42:45","modified_gmt":"2022-04-12T10:42:45","slug":"baia-bits-edward-mitchell-bannister","status":"publish","type":"post","link":"https:\/\/earthexhibitions.org\/media-archive\/?p=12049","title":{"rendered":"BAIA BITS: Edward Mitchell Bannister"},"content":{"rendered":"

BAIA BITS<\/strong><\/h1>\n

Little Moments Where Knowledge Meets Art<\/em><\/p>\n\n

The 4×5 foot painting,\u00a0Under the Oaks,<\/em>\u00a0was so masterful it won first prize at the popular 1876 Philadelphia Centennial Exposition. When its 40-year-old creator arrived at the venue to receive his prize for the pastoral depiction of sheep and cows under a stand of oaks, he was initially denied admission because he was Black.<\/p>\n

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Under the Oaks by Edward Mitchell Bannister<\/p><\/div>\n

\u201cIn an instant, my blood was up,\u201d later wrote Edward Mitchell Bannister, noting \u201cthe looks in the room were unmistakable. I was not an artist to them, simply an inquisitive colored man. Controlling myself, I said, deliberately, \u2018I<\/em> painted the picture.\u201d Bannister goes on to add that \u201can explosion could not have made a more marked impression.\u201d<\/p>\n

Although Bannister would ultimately receive his first-prize medal from the expo, the judges wanted to rescind the award after learning his identity. However, protests by the exhibition\u2019s white artists would preserve his win.<\/p>\n

Born in New Brunswick, Canada around 1826, Bannister and younger brother, William, were raised by their mother upon their father\u2019s death in 1832. Encouraged by his mother, the young prodigy began to make a mark in his local community for his portraits of family and schoolmates.<\/p>\n

In the 1850s, upon relocating to Boston as an aspiring painter, Bannister was unable to find a teacher who would accept him because of his race. He worked odd jobs to support himself, including as a barber, while continuing to practice his craft and sell his works to his growing client base in the local African-American community. In 1854, he received his first commission for the oil painting, The Ship Outward Bound<\/em>, from African American physician John V. DeGrasse.<\/p>\n

By the 1860s, Bannister hit his stride and was featured in William Wells Brown\u2019s book celebrating prominent African Americans and was an active participant in Black Boston social circles. Among his many activities, Bannister was an officer in several abolitionist organizations and twice served as a delegate to the New England Colored Citizens Conventions. In 1864, he donated his portrait of the late leader of Massachusetts\u2019 all-Black 54th Colored Regiment, Col. Robert Gould Shaw, to the Solders\u2019 Relief fair organized by his wife to aid surviving families of this historic unit later depicted in the 1989 film, Glory<\/em>.<\/p>\n

In 1876, after relocating to Providence, Rhode Island and receiving national acclaim for his first-prize at the Philadelphia Centennial Exposition, Bannister\u2019s reputation as a landscape painter continued to rise. In 1878, he assumed a board position for the newly created Rhode Island School of Design and, in 1880, helped found the Providence Art Club, holding their initial meeting in his studio where he taught Saturday art classes. His popularity as a painter, art instructor, and active member of New England\u2019s Black community would continue for over two decades.<\/p>\n

In January 1901, upon collapsing at an evening prayer meeting, Edward Mitchell Bannister died at age 72. Upon his passing, a collection of Providence-area artists erected a stone monument on his grave.<\/p>\n

BAIA BITS are produced in part by the generous support of our Patreon members with a special shout out to Zadig & Voltaire.<\/em><\/p>\n

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\"\"Stephanie Robinson, Esq.<\/strong> is a Lecturer on Law at Harvard Law School, a national media figure, author, former Chief Counsel to Senator Edward M. Kennedy, and former President and CEO of The Jamestown Project, a national think tank focusing on democracy. Ms. Robinson hosted her own national radio show, Roundtable with Stephanie Robinson<\/em>, a popular weekly 30-minute, talk-radio program focused on culture, politics, and relationships that aired on TSN. For over half a decade, Ms. Robinson was Political and Social Commentator for the Tom Joyner Morning Show<\/em> where she spoke to between 9 and 10 million people weekly, offering her perspective on the day\u2019s most pressing social and political issues.<\/p>\n

Robinson is co-author of Accountable: Making America as Good as Its Promise<\/u>, (Atria Books, 2009). She is a nationally recognized expert on issues relating to social policy, women, race, family, and electoral politics. She was featured as one of the 30 Young Leaders of the Future in Ebony Magazine and was profiled in the book As I Am: Young African American Women in a Critical Age<\/u>, by Julian Okwu. Robinson is a frequent speaker expressing her views in countless media outlets including the Associated Press, The Washington Post, C-Span, Fox News, NewsOne <\/em>and NPR<\/em>.<\/p>\n

Stephanie was a Member of President Clinton\u2019s first Mission to Africa regarding children orphaned by AIDS. Robinson, a magna cum laude graduate of the University of Maryland and the Harvard Law School, is a native of Steubenville, Ohio. She lives in Massachusetts with her husband and two sons.<\/p>\n

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