{"id":11993,"date":"2022-04-03T10:48:21","date_gmt":"2022-04-03T10:48:21","guid":{"rendered":"http:\/\/media-archive.blackartinamerica.com\/?p=11993"},"modified":"2022-04-05T14:55:18","modified_gmt":"2022-04-05T14:55:18","slug":"hotfoot-by-angela-davis-johnson-the-children-of-folks-who-migrate","status":"publish","type":"post","link":"https:\/\/earthexhibitions.org\/media-archive\/?p=11993","title":{"rendered":"HOTFOOT by Angela Davis Johnson: In Honor of The Children of Folks Who Migrate"},"content":{"rendered":"\r\n<h1 style=\"text-align: center;\">HOTFOOT by Angela Davis Johnson:<\/h1>\r\n<h2 style=\"text-align: center;\">In Honor of The Children of Folks Who Migrate<\/h2>\r\n<pre style=\"text-align: center;\">by Trelani Michelle<\/pre>\r\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-11993-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/media-archive.blackartinamerica.com\/wp-content\/uploads\/2022\/04\/A.D.Johnson.mp3?_=1\" \/><a href=\"http:\/\/media-archive.blackartinamerica.com\/wp-content\/uploads\/2022\/04\/A.D.Johnson.mp3\">http:\/\/media-archive.blackartinamerica.com\/wp-content\/uploads\/2022\/04\/A.D.Johnson.mp3<\/a><\/audio>\r\n<p class=\"\">If you&#8217;re signed up for our newsletters, you might recall that the Black Art in America Foundation sponsored\u00a0the New Freedom Project&#8217;s two-week artist residency with a $2,500 grant to support visual artist and activist, Angela Davis Johnson.\u00a0Well, this Sunday, April 3rd, Angela is showcasing the work she created during the residency (and her magic-making process) at the Mint Gallery in Atlanta.\u00a0<\/p>\r\n<p class=\"\">Also located in Atlanta, the New Freedom Project has been around since 2010. Established by the artist-activist, Charmaine Minniefield, the New Freedom Project preserves Black narratives as an act of resistance against erasure. By reflecting on the wisdom of those who have come before, the organization is igniting a new freedom movement. One avenue to making that happen is its brand new residency program of which Angela was the first.<\/p>\r\n<div id=\"attachment_12018\" style=\"width: 622px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-12018\" loading=\"lazy\" class=\"wp-image-12018\" src=\"https:\/\/i0.wp.com\/media-archive.blackartinamerica.com\/wp-content\/uploads\/2022\/04\/DSC_7991-1024x683.jpg?resize=612%2C408\" alt=\"Angela Davis Johnson\" width=\"612\" height=\"408\" data-id=\"12018\" data-recalc-dims=\"1\" \/><p id=\"caption-attachment-12018\" class=\"wp-caption-text\">Photographer Credit: AD Kaya Clark<\/p><\/div>\r\n<p class=\"\">&#8220;Angela is the bomb diggity,&#8221; Charmaine boasted. &#8220;She&#8217;s an artist activist, like I am. Her art reflects history and ancestral memory. This whole residency is part of her nomadic, creative process. That whole concept is called &#8216;HOTFOOT.'&#8221;<\/p>\r\n<p class=\"\">Charmaine insisted that I speak with Angela directly to get a better understanding of the HOTFOOT concept. I reached out and her words challenged me to reach in, into my own nomadic ways and deeper in search of my mother&#8217;s and foremother&#8217;s respective (and collective) gardens. HOTFOOT, she explained, &#8220;is a\u00a0working definition of what it means to be the children of folks who migrate.&#8221;<\/p>\r\n<div id=\"attachment_12019\" style=\"width: 584px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-12019\" loading=\"lazy\" class=\"wp-image-12019 \" src=\"https:\/\/i0.wp.com\/media-archive.blackartinamerica.com\/wp-content\/uploads\/2022\/04\/murmuration-lessons-2-819x1024.jpg?resize=574%2C718\" alt=\"\" width=\"574\" height=\"718\" data-id=\"12019\" srcset=\"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/murmuration-lessons-2-scaled.jpg?resize=819%2C1024&amp;ssl=1 819w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/murmuration-lessons-2-scaled.jpg?resize=240%2C300&amp;ssl=1 240w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/murmuration-lessons-2-scaled.jpg?resize=768%2C960&amp;ssl=1 768w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/murmuration-lessons-2-scaled.jpg?resize=1229%2C1536&amp;ssl=1 1229w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/murmuration-lessons-2-scaled.jpg?resize=1638%2C2048&amp;ssl=1 1638w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/murmuration-lessons-2-scaled.jpg?resize=1440%2C1800&amp;ssl=1 1440w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/murmuration-lessons-2-scaled.jpg?w=2048&amp;ssl=1 2048w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/murmuration-lessons-2-scaled.jpg?w=1500&amp;ssl=1 1500w\" sizes=\"(max-width: 574px) 100vw, 574px\" data-recalc-dims=\"1\" \/><p id=\"caption-attachment-12019\" class=\"wp-caption-text\">&#8220;Murmuration Prayer&#8221; | Angela Davis Johnson | 2017 | Courtesy of the Artist<\/p><\/div>\r\n<p class=\"\">&#8220;I&#8217;m from a lot of spaces, because my father was in the military, but I claim East Arkansas because that&#8217;s where my family is from. It&#8217;s the last place my grandmother lived. And I had the good fortune of living back in Arkansas when I was 14, to be able to revitalize my grandmother\u2019s garden. I say that, too, because it&#8217;s so important to understand me as an artist. My work is rooted in ancestral veneration and carrying on family stories. So I&#8217;m always listening for ways of understanding how family life and Black folks&#8217; traditions impact our walk through life.&#8221;<\/p>\r\n<p class=\"\">Angela&#8217;s voice is light as a feather yet passionate like burning sage. Not even halfway through the conversation, I started craving a blanket around my shoulders and a mug of hot tea to properly cradle myself into her stories of joy, trauma, past and present movement, and creation.\u00a0<\/p>\r\n<p class=\"\">&#8220;One of the things that I noticed about myself is that I can&#8217;t sit still. I&#8217;m always on the move. And I wanted to understand where that came from. My great grandmother was constantly on the move. She had a hot foot. While living in Arkansas, a white man told her that we have oil on our land. She inadvertently signed away our family&#8217;s land, and she and all her children were put out.<\/p>\r\n<div id=\"attachment_12030\" style=\"width: 838px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-12030\" loading=\"lazy\" class=\"size-full wp-image-12030\" src=\"https:\/\/i0.wp.com\/media-archive.blackartinamerica.com\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson.jpeg?resize=750%2C913\" alt=\"\" width=\"750\" height=\"913\" data-id=\"12030\" srcset=\"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson.jpeg?w=828&amp;ssl=1 828w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson.jpeg?resize=246%2C300&amp;ssl=1 246w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson.jpeg?resize=768%2C935&amp;ssl=1 768w\" sizes=\"(max-width: 750px) 100vw, 750px\" data-recalc-dims=\"1\" \/><p id=\"caption-attachment-12030\" class=\"wp-caption-text\">Angela&#8217;s grandmother (left), great-grandmother (middle), and uncle (right)<\/p><\/div>\r\n<p class=\"\">&#8220;She left from there to Mississippi to Florida to Chicago, and back to Mississippi. She was in a constant loop of migratory movements, and it&#8217;s made me reflect on how I&#8217;m in a constant loop of migratory movement,&#8221; Angela explained. &#8220;I&#8217;m here in Atlanta, claim Arkansas, but I&#8217;m always in New Orleans, and right now I\u2019m building in Philadelphia with my partner. So it&#8217;s like this movement that I\u2019m on and wanting to recognize and understand the power of that, also to be able to understand how it may be informed by trauma as well as pleasure. So it&#8217;s like a tension that I&#8217;m trying to uncover through this body of work.&#8221;<\/p>\r\n<p class=\"\">HOTFOOT brought to mind something Tina Hicks said during her quilting workshop at the Beach Institute in Savannah. Gathered around a table of five women, she shared that her father would tell her, &#8220;You so free &#8217;til you fool. When you gon&#8217; quit carrying ya clothes on ya back?&#8221; So I wanted to know more about Angela&#8217;s implications behind HOTFOOT and if she set out to redefine it. She agreed that it had a negative\u00a0connotation when she was growing up.<\/p>\r\n<div id=\"attachment_12021\" style=\"width: 549px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-12021\" loading=\"lazy\" class=\" wp-image-12021\" src=\"https:\/\/i0.wp.com\/media-archive.blackartinamerica.com\/wp-content\/uploads\/2022\/04\/DavisJohnson_A_Empty-cup-2-1015x1024.jpg?resize=539%2C544\" alt=\"\" width=\"539\" height=\"544\" data-id=\"12021\" srcset=\"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/DavisJohnson_A_Empty-cup-2-scaled.jpg?resize=1015%2C1024&amp;ssl=1 1015w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/DavisJohnson_A_Empty-cup-2-scaled.jpg?resize=297%2C300&amp;ssl=1 297w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/DavisJohnson_A_Empty-cup-2-scaled.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/DavisJohnson_A_Empty-cup-2-scaled.jpg?resize=768%2C775&amp;ssl=1 768w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/DavisJohnson_A_Empty-cup-2-scaled.jpg?resize=1522%2C1536&amp;ssl=1 1522w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/DavisJohnson_A_Empty-cup-2-scaled.jpg?resize=2030%2C2048&amp;ssl=1 2030w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/DavisJohnson_A_Empty-cup-2-scaled.jpg?resize=1440%2C1453&amp;ssl=1 1440w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/DavisJohnson_A_Empty-cup-2-scaled.jpg?w=2250&amp;ssl=1 2250w\" sizes=\"(max-width: 539px) 100vw, 539px\" data-recalc-dims=\"1\" \/><p id=\"caption-attachment-12021\" class=\"wp-caption-text\">&#8220;Can\u2019t Pour from an Empty Cup&#8221; | Angela Davis Johnson | 2020 | Courtesy of the Artist<\/p><\/div>\r\n<p class=\"\">&#8220;Because it\u2019s like someone who can\u2019t sit still,&#8221; she explained. &#8220;But you can reframe it as a point of, yes, it could be that and I think it is that. And I think also there&#8217;s an aspect of curiosity, dream-making, world-building, and the strength of movement. I think about mental-emotional movement, how we crawl over terrains of growth in things that we have to navigate as Black folks living on this land and how we&#8217;re able to do that. We do it through our music. I feel like that&#8217;s a migration. It feels like a hot footed behavior to be able to dance our way through something. I&#8217;m always interested in trauma release exercises. Whether we&#8217;re in church catching the spirit or we&#8217;re in secular spaces twerking, these have been practices and ways of moving through the mundanity and the present nature that this space can be, and so I&#8217;m tying that to hotfootedness.&#8221;<\/p>\r\n<div class=\"\">She brought up the Great Migration, in which six million Black folk left the South and headed North and out West between 1916-1970, and I thought about Augusta Savage, a child of the Great Migration, who once said &#8220;<span class=\"\">I was a Leap Year baby, and it seems to me that I have been leaping ever since.\u201d I also thought about Jacob Lawrence\u2019s famous series, <em>The Great Migration<\/em>, and I thought about Romare Bearden\u2019s recurring theme of African-American migration.\u00a0<\/span><\/div>\r\n<div>\r\n<div id=\"attachment_12020\" style=\"width: 558px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-12020\" loading=\"lazy\" class=\"wp-image-12020 \" src=\"https:\/\/i0.wp.com\/media-archive.blackartinamerica.com\/wp-content\/uploads\/2022\/04\/ceremonies-dont-end-with-the-blues--1024x819.jpg?resize=548%2C438\" alt=\"\" width=\"548\" height=\"438\" data-id=\"12020\" srcset=\"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/ceremonies-dont-end-with-the-blues--scaled.jpg?resize=1024%2C819&amp;ssl=1 1024w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/ceremonies-dont-end-with-the-blues--scaled.jpg?resize=300%2C240&amp;ssl=1 300w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/ceremonies-dont-end-with-the-blues--scaled.jpg?resize=768%2C614&amp;ssl=1 768w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/ceremonies-dont-end-with-the-blues--scaled.jpg?resize=1536%2C1229&amp;ssl=1 1536w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/ceremonies-dont-end-with-the-blues--scaled.jpg?resize=2048%2C1638&amp;ssl=1 2048w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/ceremonies-dont-end-with-the-blues--scaled.jpg?resize=1440%2C1152&amp;ssl=1 1440w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/ceremonies-dont-end-with-the-blues--scaled.jpg?w=2250&amp;ssl=1 2250w\" sizes=\"(max-width: 548px) 100vw, 548px\" data-recalc-dims=\"1\" \/><p id=\"caption-attachment-12020\" class=\"wp-caption-text\">&#8220;Canebrake Ceremonies&#8221; | Angela Davis Johnson | 2019 | Courtesy of the Artist<\/p><\/div>\r\n<\/div>\r\n<p class=\"\">&#8220;We\u2019re from people from the Great Migration,\u201d Angela added, &#8220;and I&#8217;m trying to parse through what it can look like and what it can mean because symbolism is important to my work. And HOTFOOT doesn&#8217;t stand alone. This is a part of a work that I&#8217;m doing with my collaborator and partner muthi reed, a poet and media maker from Philadelphia, whose parents and grandparents were a part of the Great Migration as well. We&#8217;re doing this piece called \u2018Hold On Devotion to HOTFOOT Living,\u2019 which is moving up and down the eastern seaboard, where we&#8217;re connecting with family and friends in community and listening in and carving out a Black Queer methodology to understand how we&#8217;ve been able to not only survive but ways that we&#8217;re building worlds within the practices that have been passed down to us. So that&#8217;s what HOTFOOT is a part of. It&#8217;s in communication and conversation with ancestors, with ourselves, and our beings in the ways that we&#8217;re moving now.&#8221;<\/p>\r\n<p class=\"\">The more she talked, the more Zora Neale Hurston, who also joined the Great Migration, came to mind. I rarely speak on what the dead would have wanted, but Zora would have\u00a0absolutely loved this body of work. Angela was born in Orlando, mere minutes from Zora&#8217;s hometown of Eatonville. Like Angela, some of Zora&#8217;s movements were out of necessity but most were pleasure-based. Zora wasn&#8217;t afraid to travel alone\u2014literally, yeah, considering her move to DC and Harlem and her trips to New Orleans, Haiti, Jamaica, and the Georgia and South Carolina Sea Islands, but also creatively seeing as how so many of her peers criticized her intent on writing about Black people being Black people sans the white gaze. Zora was an OG hot footed nomad who boldly claimed ownership of her freed self.\u00a0<\/p>\r\n<p class=\"\">As if I&#8217;d passed her a baton of my thoughts, Angela picked that thang up and took off, leaving dust tracks on a road. &#8220;I call Zora Neale Hurston the patron saint of HOTFOOT, because of the way that she was able to be in multiple spaces, not only physically but mentally. Like, the clarity to understand that there was so much power in our story, our folktales, our vernacular. Oh my gosh! I love her. Last year I went to Port St. Lucie and Fort Pierce, and I was so honored just to see and walk where she walked. She would travel through Florida with a Black woman, or alone. But that takes a certain fearlessness and bravery and clarity of your soul to be able to do that and go and gather stories. It feels like that\u2019s my kindred spirit; that\u2019s my kinfolk.<\/p>\r\n<p class=\"\">&#8220;I have a piece I worked on through this residency, where I&#8217;m reading her short story called\u00a0<em class=\"\">Spunk<\/em>. I have written just an excerpt of that story then I&#8217;m overlaying it with abstracted imagery. And it feels like such a mark-making prayer invocation to release myself from the bodies, because I&#8217;m primarily a figurative painter but stepping into abstraction. So it&#8217;s like I&#8217;m closer to that thing, you know, that release from needing to be respectable or representing aspects of us that can&#8217;t be contained, which is one glimpse. Being able to do that, during this time, has really left an impression. I felt nervous doing it because I&#8217;m known for my bodies, and I was able to create from that space as well. But there was something about these little works that I&#8217;ve been creating that just feels like a light coming on or a switch, because it helps me to lean into the prayers that I need through the work.&#8221;<\/p>\r\n<div class=\"\">\r\n<div id=\"gallery-1\" class=\"gallery galleryid-11993 gallery-columns-3 gallery-size-barcelona-sq clearfix\"><figure class=\"gallery-item\"><div class=\"gallery-icon portrait\"><a href='https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson-42.jpg?ssl=1'><img width=\"400\" height=\"400\" src=\"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson-42.jpg?resize=400%2C400&amp;ssl=1\" class=\"gal-img\" alt=\"\" loading=\"lazy\" data-gallery=\"11993\" srcset=\"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson-42.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson-42.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson-42.jpg?resize=200%2C200&amp;ssl=1 200w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson-42.jpg?resize=400%2C400&amp;ssl=1 400w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><\/div><\/figure><figure class=\"gallery-item\"><div class=\"gallery-icon portrait\"><a href='https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson-14.jpg?ssl=1'><img width=\"400\" height=\"400\" src=\"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson-14.jpg?resize=400%2C400&amp;ssl=1\" class=\"gal-img\" alt=\"\" loading=\"lazy\" data-gallery=\"11993\" srcset=\"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson-14.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson-14.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson-14.jpg?resize=200%2C200&amp;ssl=1 200w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson-14.jpg?resize=400%2C400&amp;ssl=1 400w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><\/div><\/figure><figure class=\"gallery-item\"><div class=\"gallery-icon portrait\"><a href='https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson-19.jpg?ssl=1'><img width=\"400\" height=\"400\" src=\"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson-19.jpg?resize=400%2C400&amp;ssl=1\" class=\"gal-img\" alt=\"\" loading=\"lazy\" data-gallery=\"11993\" srcset=\"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson-19.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson-19.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson-19.jpg?resize=200%2C200&amp;ssl=1 200w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/Angela-Davis-Johnson-19.jpg?resize=400%2C400&amp;ssl=1 400w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><\/div><\/figure><\/div>\n\r\n<\/div>\r\n<div>\u00a0<\/div>\r\n<p class=\"\">While she talked, I scrolled through her older artwork online again. According to ArtPil, the self-taught artist &#8220;incorporates body movement and sound alongside her vibrant narrative paintings which consist of portraits created with paint, scrap paper, found objects, and fabric.&#8221; Mesmerized by her paintings of Black women\u2014elder and young, some in head wraps and others in locs, fros, and pigtails. None are smiling and only a few make eye contact with me. Each has facial features or body limbs that seem to be in movement themselves, enough so that I don&#8217;t see an intended person but rather my own people. In their faces and postures, I see my friends, Nichelle, Lily and Glenda. I see my Aunt Bessie and journalist slash author Sarah M. Broom. A few brothers too. Then there&#8217;s &#8220;Strange Dark Garden,&#8221;\u00a0which the Mint Gallery shared along with the announcement of Angela&#8217;s upcoming open studio. In the best way possible, &#8220;Strange Dark Garden&#8221; is not at all like its predecessors, yet it still somehow is.<\/p>\r\n<div id=\"attachment_12026\" style=\"width: 680px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-12026\" loading=\"lazy\" class=\" wp-image-12026\" src=\"https:\/\/i0.wp.com\/media-archive.blackartinamerica.com\/wp-content\/uploads\/2022\/04\/WhatsApp-Image-2022-04-01-at-12.35.23-PM-1-761x1024.jpeg?resize=670%2C901\" alt=\"\" width=\"670\" height=\"901\" data-id=\"12026\" srcset=\"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/WhatsApp-Image-2022-04-01-at-12.35.23-PM-1.jpeg?resize=761%2C1024&amp;ssl=1 761w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/WhatsApp-Image-2022-04-01-at-12.35.23-PM-1.jpeg?resize=223%2C300&amp;ssl=1 223w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/WhatsApp-Image-2022-04-01-at-12.35.23-PM-1.jpeg?resize=768%2C1033&amp;ssl=1 768w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/WhatsApp-Image-2022-04-01-at-12.35.23-PM-1.jpeg?resize=1141%2C1536&amp;ssl=1 1141w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/WhatsApp-Image-2022-04-01-at-12.35.23-PM-1.jpeg?w=1189&amp;ssl=1 1189w\" sizes=\"(max-width: 670px) 100vw, 670px\" data-recalc-dims=\"1\" \/><p id=\"caption-attachment-12026\" class=\"wp-caption-text\">&#8220;Strange Dark Garden&#8221; | Angela Davis Johnson | 2022<\/p><\/div>\r\n<p class=\"\">&#8220;&#8216;Strange Dark Garden,&#8217; Angela said, &#8220;makes me think about the work of planting seeds and being patient enough to watch them grow, and tending and not rushing but always in a movement. That&#8217;s what I&#8217;m trying to understand more about HOTFOOT because it is that active space. It is movement. But then there&#8217;s also this question of how does one remain rooted while in motion? And so with that question before me it feels like it&#8217;s in the garden. It is in the practice of being able to tend to one\u2019s spiritual soul garden while in movement, while traveling and being in multiple spaces. So that&#8217;s what the piece is that I shared with Mint.\u00a0The open studio feels more like a share of a work in progress and an invitation to be in conversation with these works.&#8221;<\/p>\r\n<p class=\"\">Whenever you make room for the spirits to speak and you honor what you\u2019re told, resources will align for you to make it happen\u00a0<i class=\"\">and<\/i>\u00a0take it to the next level. I wrote that in &#8220;<a class=\"\" href=\"http:\/\/media-archive.blackartinamerica.com\/index.php\/2021\/03\/04\/re-membering-womens-history-laura-gadson-and-shimoda-donna-emanuels-story\/\">Re-Membering Women\u2019s History: Laura Gadson and Shimoda Donna Emanuel\u2019s Story<\/a>&#8221; because it&#8217;s one of my core beliefs and even a mantra at times. Just as it stood true for me and for Laura and Shimoda, it stands just as tall for Angela who says she&#8217;ll always have one foot in Atlanta. &#8220;I knew coming that\u00a0I wanted to merge my life practice\u2014the ways of cooking, living, and being with a more of a container to be able to practice making things in another way. So I needed a studio. I reached out to Charmaine and said, &#8216;I want to do a mini residency. Who do I reach out to?&#8217; She was like, &#8216;Girl, I got you. We&#8217;re gonna do it through New Freedom Project.&#8217;<\/p>\r\n<p class=\"\">&#8220;To be able to conceptualize this and be able to see it come to life with our requests feels like the practice of knowing and movement, and then also planting and growing. This manifested from a beautiful space of making one\u2019s request, and then watching the work come to life. Najee and Black Art in America, with the support and the ability to just show up, is so indicative to me of a Black wave. We know how to move in community. We know how to think in a collective way. And the more we do that, the more we decolonize and shed things that aren&#8217;t for our greatness and for our goodness. To me, this residency speaks to that. Even with Mint Gallery, for Danielle Deadwyler\u00a0to open her space for me to be there in studio, it just kept growing.&#8221;<\/p>\r\n<p class=\"\">Angela shared a quote that she meditates on that the spiritualist and People&#8217;s Oracle,\u00a0Dayna Nuckolls said during the pandemic: &#8220;&#8216;The burden of survival is shared. It&#8217;s a shared responsibility. And in order to move life and to reshape our world, we have to do it collectively. It&#8217;s a shared burden. It is not one to do individually. We need each other.&#8217; That&#8217;s what this residency is saying and doing. It\u2019s saying that we need each other, and we can show up for one another. And it&#8217;s been powerful.&#8221;<\/p>\r\n<p><img loading=\"lazy\" class=\"aligncenter size-large wp-image-11995\" src=\"https:\/\/i0.wp.com\/media-archive.blackartinamerica.com\/wp-content\/uploads\/2022\/04\/WhatsApp-Image-2022-04-01-at-12.35.16-PM-1-1024x804.jpeg?resize=750%2C589\" alt=\"\" width=\"750\" height=\"589\" data-id=\"11995\" srcset=\"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/WhatsApp-Image-2022-04-01-at-12.35.16-PM-1.jpeg?resize=1024%2C804&amp;ssl=1 1024w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/WhatsApp-Image-2022-04-01-at-12.35.16-PM-1.jpeg?resize=300%2C236&amp;ssl=1 300w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/WhatsApp-Image-2022-04-01-at-12.35.16-PM-1.jpeg?resize=768%2C603&amp;ssl=1 768w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/WhatsApp-Image-2022-04-01-at-12.35.16-PM-1.jpeg?resize=1536%2C1207&amp;ssl=1 1536w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/WhatsApp-Image-2022-04-01-at-12.35.16-PM-1.jpeg?resize=1440%2C1131&amp;ssl=1 1440w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/WhatsApp-Image-2022-04-01-at-12.35.16-PM-1.jpeg?w=1600&amp;ssl=1 1600w\" sizes=\"(max-width: 750px) 100vw, 750px\" data-recalc-dims=\"1\" \/><\/p>\r\n<p><img loading=\"lazy\" class=\"aligncenter size-full wp-image-10290\" src=\"https:\/\/i0.wp.com\/media-archive.blackartinamerica.com\/wp-content\/uploads\/2021\/09\/buy-black-art-graf_5.jpg?resize=750%2C487\" alt=\"\" width=\"750\" height=\"487\" data-id=\"10290\" srcset=\"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2021\/09\/buy-black-art-graf_5.jpg?w=768&amp;ssl=1 768w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2021\/09\/buy-black-art-graf_5.jpg?resize=300%2C195&amp;ssl=1 300w\" sizes=\"(max-width: 750px) 100vw, 750px\" data-recalc-dims=\"1\" \/><\/p>\r\n<p>Browse and shop for fine art from our growing network of artists, collectors, estates, galleries \u2014 specializing in works by Black American artists with great values on premier art.<\/p>\r\n\r\n\r\n\r\n<h1 class=\"post-title\" style=\"text-align: center;\"><span style=\"color: #ff6600;\">START COLLECTING ART<\/span><\/h1>\r\n<p style=\"text-align: left;\">Sign up for our\u00a0<span style=\"color: #333399;\"><a style=\"color: #333399;\" href=\"http:\/\/media-archive.blackartinamerica.com\/index.php\/startcollectingart\/\"><u>free\u00a0email cours<strong>e<\/strong><\/u><\/a><strong>\u00a0<\/strong><\/span><strong>on how to begin your collection.<\/strong><\/p>\r\n<p><strong><img loading=\"lazy\" class=\"alignleft size-medium wp-image-11994\" src=\"https:\/\/i0.wp.com\/media-archive.blackartinamerica.com\/wp-content\/uploads\/2022\/04\/rsz_trel7_2-300x200.jpg?resize=300%2C200\" alt=\"\" width=\"300\" height=\"200\" data-id=\"11994\" srcset=\"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/rsz_trel7_2.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/rsz_trel7_2.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/rsz_trel7_2.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/rsz_trel7_2.jpg?resize=1440%2C960&amp;ssl=1 1440w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/rsz_trel7_2.jpg?resize=272%2C182&amp;ssl=1 272w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2022\/04\/rsz_trel7_2.jpg?w=1500&amp;ssl=1 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/>Trelani Michelle<\/strong>\u00a0authored seven books and ghostwrote even more. She graduated from Savannah State University with a Bachelor\u2019s in Political Science then SCAD with an MFA in Writing. After facilitating workshops for faculty, staff, and students at SSU, she began teaching high schoolers a mix of creative writing and social activism. After a 10-week internship with the Library of Congress\u2019s American Folklife Center, she published a catalog of Black Savannah\u2019s biographies called <i>Krak Teet<\/i>, centering the lives of 19 Gullah Geechee elders over the age of 80. Crowned Savannah\u2019s Best Local Author, Trelani teaches the Black history that school textbooks overlook, demonstrating that personal history is family history which is community history which is world history. She\u2019s presented her work at The Highlander Research and Education Center, Georgia Council for the Arts, SCAD, UNC\u2019s Black Communities Conference, and more. Today\u2019s Zora Neale Hurston, life stories are Trelani\u2019s thing, so she helps people write about their life in the form of books, bios, business pages, and speeches.<span class=\"Apple-converted-space\">\u00a0Learn more about her writing services at SoFundamental.com and her Black history lessons at KrakTeet.com. Follow her on Instagram and Facebook @KrakTeet.<\/span><\/p>\r\n<p><strong>Would you buy stock in BAIA if you could?<\/strong> Well we invite you to join us in becoming a monthly supporter, starting at just $3 a month YOU become a stakeholder and begin to help us transform lives through art. We are growing the BAIA team and will use your contributions to hire more team members for the purpose of creating more educational and marketing resources for schools and universities about african american artists both past and present. Such art initiatives and educational programming like Blacklite with Steve Prince, Relating to Art with Dr. Kelli Morgan, and BAIA BITS would not be possible without the ongoing support of our Patreon members. Please consider becoming a monthly Patreon member today!<\/p>\r\n<p>Review our list of rewards for becoming a BAIA\u00a0<span style=\"color: #3366ff;\"><span style=\"color: #333399;\"><a style=\"color: #333399;\" href=\"https:\/\/www.patreon.com\/blackartinamerica\">Patreon<\/a><\/span>\u00a0<\/span>\/ patron supporter. Your monthly contribution has lasting benefits. \u2014 \u201cWhat will your legacy be\u201d \u2013 Dr. Margaret Burroughs<\/p>\r\n<h1 style=\"text-align: center;\">Thank you new and <span style=\"color: #808080;\">recurring monthly<\/span> Patrons<\/h1>\r\n<p><b>Deloris and Eddie Young<\/b><b>,\u00a0<\/b><b>Esther Silver-Parker<\/b><b>,\u00a0<\/b><b>Eugene Foney<\/b><b>,\u00a0<\/b><b>Zadig &amp; Voltaire, Petrucci Family Foundation Collection of African American Art<\/b><b>, John and Melanie Guess, Frank Frazier, Houston Museum of African American Culture, Leslie Fields, Jim Nixon, Dr. Michael Butler, Mary \u201cMadea\u201d Jones,\u00a0<\/b>Patrick Stewart, Noreen Winningham, Reg Pugh, Kevin Smokler, Deborah R. Moore, Dr. Skyller Walkes, Jae M, Jocelyne Lamour, Marion Zweig, Shannon DeVaney, Ashlee Jacob, DaNia Childress,\u00a0<strong>Rev. 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Clark, Jr, Edward Johnson, Sylvie Meyers, Devon Simpson<\/span><\/p>\r\n<p>&nbsp;<\/p>\r\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.patreon.com\/blackartinamerica\"><img loading=\"lazy\" class=\"wp-image-4651 size-full\" src=\"https:\/\/i0.wp.com\/media-archive.blackartinamerica.com\/wp-content\/uploads\/2018\/12\/patron.png?resize=464%2C108\" alt=\"\" width=\"464\" height=\"108\" data-id=\"4651\" srcset=\"https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2018\/12\/patron.png?w=464&amp;ssl=1 464w, https:\/\/i0.wp.com\/earthexhibitions.org\/media-archive\/wp-content\/uploads\/2018\/12\/patron.png?resize=300%2C70&amp;ssl=1 300w\" sizes=\"(max-width: 464px) 100vw, 464px\" data-recalc-dims=\"1\" \/><\/a><\/p>\r\n<p style=\"text-align: center;\">We Appreciate Your Support<\/p><div class=\"sharedaddy sd-sharing-enabled\"><div class=\"robots-nocontent sd-block sd-social sd-social-official sd-sharing\"><h3 class=\"sd-title\">Share this:<\/h3><div class=\"sd-content\"><ul><li class=\"share-facebook\"><div class=\"fb-share-button\" data-href=\"https:\/\/earthexhibitions.org\/media-archive\/?p=11993\" data-layout=\"button_count\"><\/div><\/li><li><a href=\"#\" class=\"sharing-anchor sd-button share-more\"><span>More<\/span><\/a><\/li><li class=\"share-end\"><\/li><\/ul><div class=\"sharing-hidden\"><div class=\"inner\" style=\"display: none;\"><ul><li class=\"share-reddit\"><div class=\"reddit_button\"><iframe src=\"https:\/\/www.reddit.com\/static\/button\/button1.html?newwindow=true&width=120&amp;url=https%3A%2F%2Fearthexhibitions.org%2Fmedia-archive%2F%3Fp%3D11993&amp;title=HOTFOOT%20by%20Angela%20Davis%20Johnson%3A%20In%20Honor%20of%20The%20Children%20of%20Folks%20Who%20Migrate\" height=\"22\" width=\"120\" scrolling=\"no\" frameborder=\"0\"><\/iframe><\/div><\/li><li class=\"share-twitter\"><a href=\"https:\/\/twitter.com\/share\" class=\"twitter-share-button\" data-url=\"https:\/\/earthexhibitions.org\/media-archive\/?p=11993\" data-text=\"HOTFOOT by Angela Davis Johnson: In Honor of The Children of Folks Who Migrate\" data-via=\"baiaonline\" >Tweet<\/a><\/li><li class=\"share-end\"><\/li><li class=\"share-tumblr\"><a class=\"tumblr-share-button\" target=\"_blank\" href=\"https:\/\/www.tumblr.com\/share\" data-title=\"HOTFOOT by Angela Davis Johnson: In Honor of The Children of Folks Who Migrate\" data-content=\"https:\/\/earthexhibitions.org\/media-archive\/?p=11993\" title=\"Share on Tumblr\"data-posttype=\"link\">Share on Tumblr<\/a><\/li><li class=\"share-linkedin\"><div class=\"linkedin_button\"><script type=\"in\/share\" data-url=\"https:\/\/earthexhibitions.org\/media-archive\/?p=11993\" data-counter=\"right\"><\/script><\/div><\/li><li class=\"share-end\"><\/li><li class=\"share-pinterest\"><div class=\"pinterest_button\"><a href=\"https:\/\/www.pinterest.com\/pin\/create\/button\/?url=https%3A%2F%2Fearthexhibitions.org%2Fmedia-archive%2F%3Fp%3D11993&#038;media=https%3A%2F%2Fi0.wp.com%2Fearthexhibitions.org%2Fmedia-archive%2Fwp-content%2Fuploads%2F2022%2F04%2FDSC_7985-1-scaled.jpg%3Ffit%3D1200%252C800%26ssl%3D1&#038;description=HOTFOOT%20by%20Angela%20Davis%20Johnson%3A%20In%20Honor%20of%20The%20Children%20of%20Folks%20Who%20Migrate\" data-pin-do=\"buttonPin\" data-pin-config=\"beside\"><img src=\"https:\/\/i0.wp.com\/assets.pinterest.com\/images\/pidgets\/pinit_fg_en_rect_gray_20.png?w=750\" data-recalc-dims=\"1\" \/><\/a><\/div><\/li><li class=\"share-end\"><\/li><\/ul><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>HOTFOOT by Angela Davis Johnson: In Honor of The Children of Folks Who Migrate by Trelani Michelle If you&#8217;re signed up for our newsletters, you might recall that the Black Art in America Foundation sponsored\u00a0the New Freedom Project&#8217;s two-week 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