{"id":11744,"date":"2022-03-06T14:02:55","date_gmt":"2022-03-06T14:02:55","guid":{"rendered":"http:\/\/media-archive.blackartinamerica.com\/?p=11744"},"modified":"2022-03-10T11:47:11","modified_gmt":"2022-03-10T11:47:11","slug":"from-the-collection-giving-voice-to-visuals-6","status":"publish","type":"post","link":"https:\/\/earthexhibitions.org\/media-archive\/?p=11744","title":{"rendered":"From the Collection: Giving Voice to Visuals #6"},"content":{"rendered":"\r\n

From the Collection:<\/h2>\r\n

Giving Voice to Visuals #6<\/h3>\r\n

The Najee & Seteria Dorsey Collection at Black Art In America consists of over 400 works in various mediums and genres by both legacy and leading contemporary artists.<\/strong><\/p>\r\n

\u201cWhen thinking about black female spectators, I remember being punished as a child for staring, for those hard intense direct looks children would give grown-ups, looks that were seen as confrontational, as gestures of resistance, challenges to authority. The \u2018gaze\u2019 has always been political in my life. Imagine the terror felt by the child who has come to understand through repeated punishments that one’s gaze can be dangerous. The child who has learned so well to look the other way when necessary. Yet, when punished, the child is told by parents, \u201cLook at me when I talk to you.\u201d Only, the child is afraid to look. Afraid to look, but fascinated by the gaze. There is power in looking<\/em>.\u201d<\/p>\r\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2013 bell hooks<\/strong><\/p>\r\n

Black Looks: Race and Representation<\/em>, 1992<\/p>\r\n

There is power in looking. Author, professor, artist, and social activist, bell hooks, who passed in December, coined the term the \u201coppositional gaze\u201d to speak to the relational power dynamics in media and society of looking<\/em> and how it represents political resistance against the repression of a Black person\u2019s right to look. Because of these racially-skewed power dynamics\u2014groomed by years of American enslavement, Jim Crow, discrimination, oppression, and violence, particularly against those who dared to look\u2014the look itself is recast as a form of defiance and a reclamation of power, albeit relative.<\/p>\r\n

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\u201cThat all attempts to repress our\/black peoples’ right to gaze had produced in us an overwhelming longing to look, a rebellious desire, an oppositional gaze,\u201d wrote hooks. \u201cBy courageously looking, we defiantly declared: \u2018Not only will I stare. I want my look to change reality.'”<\/p>\r\n

Perhaps Robert Pruitt\u2019s Untitled, 2020<\/em> hints at such a compelling reality.<\/p>\r\n

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