{"id":11417,"date":"2022-01-28T15:59:51","date_gmt":"2022-01-28T15:59:51","guid":{"rendered":"http:\/\/media-archive.blackartinamerica.com\/?p=11417"},"modified":"2022-02-07T14:36:15","modified_gmt":"2022-02-07T14:36:15","slug":"baia-bits-ernest-crichlow","status":"publish","type":"post","link":"https:\/\/earthexhibitions.org\/media-archive\/?p=11417","title":{"rendered":"BAIA BITS: Ernest Crichlow"},"content":{"rendered":"

BAIA BITS<\/strong><\/h1>\n

Little Moments Where Knowledge Meets Art<\/em><\/p>\n\n

You\u2019ve heard their names. Jacob Lawrence. Charles Alston. Romare Bearden. Norman Lewis. These names have become iconic within the world of African American art.<\/p>\n

However, many have not heard of the painter, graphic artist, illustrator, and educator who worked closely with all of them, Ernest Crichlow. Born in Brooklyn, NY in 1914 to Bajan immigrants, Crichlow worked with Alston and Lawrence in the 1930s upon joining the Harlem Artists Guild, an organization backed by the Works Progress Administration (WPA) in an effort to employ artists during the Depression. The impact of the program and its associated artistic collaborations on Crichlow was transformative as he thrived in what he believed to be its \u201cessential\u201d offerings for struggling artists, particularly those of color. \u00a0Accordingly, he once characterized the WPA as \u201cthe greatest stimulant the American art scene had ever had. It meant something to be an artist then. The WPA was our haven and offered us a real entr\u00e9e into what was happening. We had a lot of hope . . . Before that, very few of us had anything resembling a real art education.\u201d<\/p>\n

Crichlow\u2019s paintings largely focused on his Brooklyn neighborhood and its inhabitants. He loved to capture the range of emotions his subjects expressed and was particularly committed to the depiction of Black women for their confidence and beauty at a time when society did not attribute such aspects to them. Crichlow also used his art to point to the precarious state Black women found themselves in.<\/p>\n

In his 1938 work, Lovers<\/em>, he ironically depicted a Black woman being attacked in her bedroom by a hooded Klan member who, apparently, intends to rape her. The woman desperately struggles to fight off her attacker as represented by her thrashing arms and an overturned chair. Key to this image, and its more general symbolism of the hostile southern climate for Black women, is how the klansman\u2019s robe reveals a striped pant leg beneath, a representation of business attire and status.<\/p>\n

\"\"

Ernest Crichlow
Lovers, 1938
Sale Date: December 4, 2021<\/p><\/div>\n

Ever a supporter of his fellow Black artists, Crichlow was known to collaborate with his peers artistically and organizationally. In 1969, along with Bearden and Lewis, he cofounded Cinque Gallery, an institution committed to supporting and championing Black artists.<\/p>\n

Crichlow\u2019s artwork was regularly shown in leading American art galleries and, toward the end of his career, he was honored by President Jimmy Carter.<\/p>\n

Ernest Crichlow died in 2005 in his beloved Brooklyn.<\/p>\n

BAIA BITS are produced in part by the generous support of our Patreon members with a special shout out to Zadig & Voltaire.<\/em><\/p>\n

START COLLECTING ART<\/span><\/h1>\n
\"\"

Browse and shop for fine art from our growing network of artists, collectors, estates, galleries \u2014 specializing in works by Black American artists with great values on premier art.<\/p><\/div>\n

Sign up page for our free\u00a0<\/b>virtual collectors course — Here<\/a><\/span><\/h3>\n

<\/p>\n

\"\"Stephanie Robinson, Esq.<\/strong> is a Lecturer on Law at Harvard Law School, a national media figure, author, former Chief Counsel to Senator Edward M. Kennedy, and former President and CEO of The Jamestown Project, a national think tank focusing on democracy. Ms. Robinson hosted her own national radio show, Roundtable with Stephanie Robinson<\/em>, a popular weekly 30-minute, talk-radio program focused on culture, politics, and relationships that aired on TSN. For over half a decade, Ms. Robinson was Political and Social Commentator for the Tom Joyner Morning Show<\/em> where she spoke to between 9 and 10 million people weekly, offering her perspective on the day\u2019s most pressing social and political issues.<\/p>\n

Robinson is co-author of Accountable: Making America as Good as Its Promise<\/u>, (Atria Books, 2009). She is a nationally recognized expert on issues relating to social policy, women, race, family, and electoral politics. She was featured as one of the 30 Young Leaders of the Future in Ebony Magazine and was profiled in the book As I Am: Young African American Women in a Critical Age<\/u>, by Julian Okwu. Robinson is a frequent speaker expressing her views in countless media outlets including the Associated Press, The Washington Post, C-Span, Fox News, NewsOne <\/em>and NPR<\/em>.<\/p>\n

Stephanie was a Member of President Clinton\u2019s first Mission to Africa regarding children orphaned by AIDS. Robinson, a magna cum laude graduate of the University of Maryland and the Harvard Law School, is a native of Steubenville, Ohio. She lives in Massachusetts with her husband and two sons.<\/p>\n

Would you buy stock in BAIA if you could?<\/strong> Well we invite you to join us in becoming a monthly supporter, starting at just $3 a month YOU<\/b> become a stakeholder and begin to help us transform lives through art. We are growing the BAIA team and will use your contributions to hire more team members for the purpose of creating more educational and marketing resources for schools and universities about african american artists both past and present. Such art initiatives and educational programming like Blacklite with Steve Prince, Relating to Art with Dr. Kelli Morgan, and BAIA BITS would not be possible without the ongoing support of our Patreon members. Please consider becoming a monthly Patreon member today!
\n\u200b
\nReview our list of rewards for becoming a BAIA Patreon<\/a><\/span> <\/span>\/ patron supporter. Your monthly contribution has lasting benefits. \u2014 \u201cWhat will your legacy be\u201d \u2013 Dr. Margaret Burroughs<\/p>\n

Thank you new and recurring monthly<\/span> Patrons<\/h1>\n

Deloris and Eddie Young<\/b>,\u00a0<\/b>Esther Silver-Parker<\/b>,\u00a0<\/b>Eugene Foney<\/b>,\u00a0<\/b>Zadig & Voltaire, Petrucci Family Foundation Collection of African American Art<\/b>, John and Melanie Guess, Frank Frazier, Houston Museum of African American Culture, Leslie Fields, Jim Nixon, Dr. Michael Butler, Mary \u201cMadea\u201d Jones,\u00a0<\/b>Patrick Stewart, Noreen Winningham, Reg Pugh, Kevin Smokler, Deborah R. Moore, Dr. Skyller Walkes, Jae M, Jocelyne Lamour, Marion Zweig, Shannon DeVaney, Ashlee Jacob, DaNia Childress,\u00a0Rev. Anita Marshall<\/strong>, Mary Ali-Masai, Devera Redmond, Roslyn Valentine, Robin King, Brenda Larnell, Michael, Jeffery Washington, Tricia Konan, Debra L Lacy CHARLES BIBBS, Fredric Isler,\u00a0Silvia Peters<\/strong>,\u00a0 Harold Moore, Shurvon Haynes K.Coleman Shannon Dale Davis Terese L Hawkins M. Rasheed Jamal Love Annette,\u00a0Mason Archie<\/strong>, Manuelita Brown,\u00a0Carolyn L. Mazloomi<\/b>\u00a0 Gale Ross KL Martin michael jacobs Virginia Joy Simmons Christ Van Loan Sr. Cecilia Winters-Morris, Rosie Gordon-Wallace, Pearlie Taylor,\u00a0Danny Jenkins<\/strong>, Sara, Lloyd Goode, Marina Kovic, Sarah Rooney, Mitchell Shohet, Nicole Farley, Cheryl B Blankman, Jocelyn Greene, Laura Di Piazza Petrina Burkard Hannah Diener Sarah Drury Claire Sig Mina Silva Whitney, Sara Friesen, Megan LaCroix, Kellyn Maguire, Sophia Bellin,o Cory Huff, Wilhelmina Barker, Linda Eaddy, Shelley Danzy, Rosalyn D. Elder, Sonia Spencer Karen Pinzolo Desiree Dansan, Deborah Paige-Jackson, ALKEBU LAN IMAGES Bookstore DeLores M Dyer, Shelia, Harry F Banks, Susan Ross, Dr. Diane R. Miles, Carlton Cotton, Andre Mitchell, Joan L. Ward, JOCELYN BENITA SMITH,\u00a0Paul Robinson<\/b>, Janice Orr, Patricia D Dungy, Ethnie Weekes, Shawn Rhea, Duke Windsor, Runez M Bender, Karen Y House, M Belinda Tucker, Dr. Yonette Thomas, Diana Shannon Young, Judith Hamilton, Julia Turner Lowe, Francene Greene, Caryliss R. Weaver, Sharmon Jane Hilfinger, Bill and Deborah Nix, joyce a, Wanda Baker-Smith, Timothy Gandley, Anneke Schwob, Emily M, Rachael horner, Morris Howard, Marie L Johnson, Ayoka Chenzira, Jean Gumpper, Caitlin Charles, Becca H,.\u00a0Dr. Darlene White,<\/b>\u00a0Dr. Sandra Boyce Broomes, Michele C. Mayes,\u00a0<\/b>Rita Crittenden, Reginald Laurent, Jea Delsarte, Brenda Brooks, Suzette Renwick,\u00a0BEVERLY GRANT,<\/b>\u00a0Linda B. Smith, Judith Bergeron, Emily Hegeman Cavanagh, Teri L Lewis, Cooky Goldblatt, Danni Cerezo, Hollis Turner, cdixon06, Freda Davis, Sarah Caputo, jacki rust, Curtis Morrow, Christina Levine, Jessica Beckstrom, Kim Walker, Pamela Hart,\u00a0Ted Ellis,<\/b>\u00a0Louise berner-holmberg, Carla Sonheim, Nicole Bruce, Alison Deas, Monikapi, Ashley Littlefield,\u00a0Reginald Browne\u00a0<\/b>Bill Cook, SylviaWong Lewis, DONNA PAXTON, Kanika Marshall, Cheyenne, Nancy Maignan, Kimberly Smith, Tracy Russ, Gwen Meharg, K Joy Peters, johnnie mae maberry, Lester Marks, Zishan Evans, Anne king, Dianna A. Harris, Arbrie Griffin Bradley, Sandra Sautner,\u00a0Barbara Brown<\/b>, Bronwen Hodgkinson,\u00a0Sonia Deane,<\/b>\u00a0January Hoskin, Quinton Foreman, Key Mosley, Jim Alexander, Terri Pease, Annette Groschke, Richard MacMillan, D T Ray, Camille, Elayne Gross, Ann Tankersley, Samori Augusto, Karen M Hirsch, Jeanne H Chaney, Jacqueline Konan, Jerome Moore, Patricia Andrews-Keenan, India Still, Luna Cascade, Amy Peck, Marnese Barksdale, Elder Bridgette, Ren\u00e9 McCullough, Kevin and Tracy Burton, Raven Burnes, Kim Dubois, Edwina King Diva E, Charlotte Bender,\u00a0Phyllis Stephens,<\/b>\u00a0Alisa R Elliot, Ebony English, Otto Neals, Michael Nix, Terri Bowles, Nelly Maynard, Leslie Smith, Bernard W. Kinsey, Toby Sisson, Raynard Hall, Milton Loupe, Wren Mckinley, Arturo Lindsay, Lindiwe Stovall Lester, Phil,\u00a0Ricki Carroll,\u00a0<\/strong>\u00a0 Sherman E Jackson Jr, Janine P Rouson, Raynard Hall, Vickie Townsend-Carter, Peter Prinz, PB Fine Art Appraisal, Alison Woods, Suzette Davis, Carlton Cotton, Art Now After Hours, Diane E Leifheit, Tamara clements, \u00a0lisa tomlinson, vince leal, Deborah BarnwellGarr, Sonia Pollard, Barbara Hayes, Loretta Y Blakely, Gregg Y, Paige Jernigan, Randy McAnulty, raven walthor, Will Johnson, jack, Shameika Ingram, Trina Virginia Brooks, Black Wall Street Gallery, Suzanne Roberts, Faye Edwards, Tara, Crystal Green, Sedonia Phillips Kniskern, \u00a0R Simpson, Kate Gadd, Judy Nyquist, Velma McLaurin-Bell, Frazier and Myra O\u2019Leary, Rosemarie Rogers, Elaine Buchsbaum, Hope Elliott, Renee Williams Jefferson, and Atiya Slaughter, <\/strong>Stephanie Stephens, Takisia Whites, Robert Taylor, Christina, Taylor Jackson, Brenda Joyner, Dr. Karen Patricia Williams, Paul Daniel Curtis, Zawadi, DJIBRIL N\u2019DOYE, Monique Johnson, Christine J Vincent, Paige Jernigan, Willa Bandler, Valerie A. Cooper, Cordell Boyd, DARRIS L SHAW, Shurvon Haynes, S J, Cynthia Hargrove, THERESA PATTERSON, Kree8tive DJ, LaShanda Chirunga, Anita Askew Wharton, Paula deJoie, Cyderia Gates,\u00a0Patricia S. Kearse, Eunice Sykes, Sharyn Welch, Chris McNew, <\/strong>Rita Alston, Rebecca Smith, Patricia Goodwin, Mikal Aziz, Rayhart, Patric McCoy, Esmond Adams, Shakira Pollard, Arelia Jones, Vernestine Laughinghouse, Bridget Griffin, Tanya Desdunes, Gregory M Glore, Sharon Butts, Alnita Ann Holder, and Victor W. Brown, Cheryl Polk, Tsedey Betru, Dwayne E. Parker, Eric T McKissack<\/span><\/p>\n

\"\"<\/a><\/p>\n

We Appreciate your Patronage<\/p>\n

Share this:<\/h3>