{"id":11384,"date":"2022-02-04T09:15:58","date_gmt":"2022-02-04T09:15:58","guid":{"rendered":"http:\/\/media-archive.blackartinamerica.com\/?p=11384"},"modified":"2022-01-24T12:18:08","modified_gmt":"2022-01-24T12:18:08","slug":"tales-from-the-b-a-sket-black-art-sketches-for-the-contemporary-art-lover-2","status":"publish","type":"post","link":"https:\/\/earthexhibitions.org\/media-archive\/?p=11384","title":{"rendered":"Tales from The b.a.SKET: Black Art Sketches for the Contemporary Art Lover"},"content":{"rendered":"\r\n

Tales from The b.a.SKET: Black Art Sketches for the Contemporary Art Lover<\/h2>\r\n
By D. Amari Jackson<\/pre>\r\n

This week, we reach into the b.a.SKET and pull out two pivotal moments in the life of a conscious and visionary artist…<\/em><\/strong><\/p>\r\n

Two events, 30 years apart, had an indelible impact on Philadelphia-born painter, educator, mixed media artist, and activist . The first occurred as a child growing up in the mid-20th<\/sup> century.<\/p>\r\n

\u201cI was at a friend\u2019s house and in Life magazine I saw a lynched African man lying over a log, burning from the inside out,\u201d Pindell told The Guardian<\/em>, this past November. \u201cWhite men were standing around him looking thrilled. My friend\u2019s mother was cooking meat, and the smell and sight made me unable to eat meat for a year.\u201d<\/p>\r\n

The second took place in 1979. Upon leaving her position as The Museum of Modern Art\u2019s (MoMA) first African American curator, Pindell spoke openly about the institutional racism she faced at the museum. The split was far from cordial as she further \u00a0protested a MoMA exhibit she believed to be racist. That same year, upon accepting a teaching position at the State University of New York Stony Brook, Pindell was seriously injured in a car accident that left her with severe head trauma and acute memory loss. Through her subsequent rehabilitation, she further committed herself to her artistic process, producing works that spoke to relevant themes of memory, race, and social inequity while pulling from those pivotal life moments that shaped her.<\/p>\r\n

The results were simultaneously provocative and compelling. In Free, White & 21<\/em>, Pindell employed video to recount her personal experiences with racism as an African American woman in the United States. Challenging the social construct of race based on skin color, the video segments incorporated footage of Pindell dressed as a white woman with blond wig, skin-lightening makeup, and sunglasses responding to her Black counterpart\u2019s racial testimonials and experiences with victim-blaming statements.<\/p>\r\n

At the end of the segment, the white character bluntly quipped, “You must really be paranoid. I’ve never had an experience like that.\u201d<\/p>\r\n

\u201cBut, then, I’m free, white, and 21.\u201d<\/p>\r\n

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Howardena Pindell
Free, White and 21, 1980
single-channel video with sound, color, 12:15 minutes
National Gallery of Art, Washington
Gift of Garth Greenan
2020.20.1
Courtesy the artist and Garth Greenan Gallery, New York<\/p><\/div>\r\n

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Browse and shop for fine art from our growing network of artists, collectors, estates, galleries \u2014 specializing in works by Black American artists with great values on premier art.<\/p>\r\n\r\n\r\n\r\n

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Sign up for our\u00a0free\u00a0email course<\/strong><\/u><\/a>\u00a0<\/strong><\/span>on how to begin your collection.<\/strong><\/p>\r\n

\"\"Amari Jackson<\/b> is a creator, author, TV\/web\/film producer, and award-winning journalist. He is author of the 2011 novel, The Savion Sequence; creator\/writer\/coproducer of the 2012-2014 web series The Book Look; writer\/coproducer of the 2016 film Edge of the Pier; and current writer\/coproducer of Listen Up! on HBCU GO\/Roku TV. He is a former Chief of Staff for a NJ State Senator; a former VP of Communications & Development for the Jamestown Project at Harvard University; and a recipient of several writing fellowships including the George Washington Williams Fellowship from the Independent Press Association. An active ghost writer, song writer, martial artist, and journalist, his writings have appeared in a wide variety of national and regional publications.<\/p>\r\n

Would you buy stock in BAIA if you could?<\/strong> Well we invite you to join us in becoming a monthly supporter, starting at just $3 a month YOU become a stakeholder and begin to help us transform lives through art. We are growing the BAIA team and will use your contributions to hire more team members for the purpose of creating more educational and marketing resources for schools and universities about african american artists both past and present. Such art initiatives and educational programming like Blacklite with Steve Prince, Relating to Art with Dr. Kelli Morgan, and BAIA BITS would not be possible without the ongoing support of our Patreon members. Please consider becoming a monthly Patreon member today!<\/p>\r\n

Review our list of rewards for becoming a BAIA\u00a0Patreon<\/a><\/span>\u00a0<\/span>\/ patron supporter. Your monthly contribution has lasting benefits. \u2014 \u201cWhat will your legacy be\u201d \u2013 Dr. Margaret Burroughs<\/p>\r\n

Thank you new and recurring monthly<\/span> Patrons<\/h1>\r\n

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