{"id":10978,"date":"2021-12-23T10:40:16","date_gmt":"2021-12-23T10:40:16","guid":{"rendered":"http:\/\/media-archive.blackartinamerica.com\/?p=10978"},"modified":"2021-12-30T14:05:10","modified_gmt":"2021-12-30T14:05:10","slug":"gibbes-museum-of-art-announces-winner-of-1858-prize","status":"publish","type":"post","link":"https:\/\/earthexhibitions.org\/media-archive\/?p=10978","title":{"rendered":"Gibbes Museum of Art Announces Winner of 1858 Prize"},"content":{"rendered":"\r\n

Gibbes Museum of Art Announces Winner of 1858 Prize<\/h2>\r\n

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The Gibbes Museum of Art is proud to announce Stephanie J. Woods as the 2021 winner of the 1858 Prize for Contemporary Southern Art. A multimedia artist from Charlotte, North Carolina, Woods’s work fuses a relationship between photography and fiber. Woods will be awarded a $10,000 cash prize and celebrated at the Society 1858 Amy P. Coy Forum scheduled for May 9, 2022. Honorable mentions go to Adebunmi Gbadebo (South Carolina) and Edison Pe\u00f1afiel (Florida).<\/p>\r\n

The 2021 panelists included 2020 Prize Winner Stephen L. Hayes, Jr., Society 1858 representatives Abby Rosenthal and Megan Pinckney Rutherford, P\u00e9rez Art Museum\u00a0Miami (PAMM) Associate Curator Jennifer Inacio, and Associate Professor and Director of Studio Art Graduate Studies at Tulane University AnnieLaurie Erickson.<\/p>\r\n

MEET THE 2021 WINNER<\/strong><\/h3>\r\n
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“the wait of it II” by Stephanie J. Woods, 2020, Site-specific public art installation at the Richmond community hospital located on Virginia Union University Campus in Richmond, VA. Nine years of detangled afro hair formed into a loosely woven vessel, hand-harvested red clay from Winston-Salem, North Carolina, and umbrella tree. Dimensions Variable.<\/p><\/div>\r\n

I became aware of the 1858 Prize in 2014 while I was pursuing my MFA at the University of North Carolina at Greensboro,” says Woods. “During that time, I saw that artists Sonya Clark, Stacy Lynn Waddell, Joyce Scott and Ebony G. Patterson were either winners or finalists of this award. Seeing the recognition of other Black women artists like myself excited me! 2021 was my fourth year applying, and it means so much to be recognized by the place where you come from. I was born in Seneca, S.C. and raised in Charlotte, N.C. My experiences growing up in the South have influenced so many aspects of my artwork and who I am.<\/em> – Stephanie J. Woods, 2021 Winner<\/p>\r\n

Stephanie J. Woods’<\/strong><\/a> body of work examines performative behavior and the cognitive effects of forced cultural assimilation including the effects of intergenerational trauma, the politicization of afro hair and the everyday coping devices and affirmations Black people establish to survive. She further explores these concepts by using textiles, photography, video, sculpture, community-engaged projects and material language. Her multimedia works utilize symbolic imagery and materials that reference Black American culture and the southern American experience, such as hair weave, satin bonnets, afro hair, Carolina red clay and sweet tea.<\/p>\r\n

Currently based in Albuquerque, N.M., Woods is an assistant professor of interdisciplinary art at The University of New Mexico. Her passion for interdisciplinary practices and material language is evident through her collaborations and implementation of symbolic materials that examine performative behavior, domestic spaces and alternative realities that reference Black American culture and her experiences growing up in the American South.<\/p>\r\n

Woods earned a Master of Fine Arts in new media sculpture and is the recipient of several residencies and fellowships, including Black Rock Senegal, the Fine Arts Work Center fellowship, ACRE Residency, the McColl Center for Art + Innovation, Ox-Bow School of Art and Artists Residency and Penland School of Craft. Her work is featured in the permanent collection at the Virginia Museum of Fine Art, located in Richmond, Va. She has also exhibited her work at Smack Mellon and Tiger Strikes Asteroid, both located\u00a0in Brooklyn, N.Y. Additionally, her work has been featured in BOMB Magazine, Art Papers, Burnaway and the Boston Art Review.<\/p>\r\n

MEET THE 2021 HONORABLE MENTIONS<\/strong><\/h3>\r\n

\"\"<\/a>Adebunmi Gbadebo<\/strong><\/a> creates sculptures, prints and paper using Black hair sourced from the diaspora, along with historical and cultural imbued materials. For several years, Gbadebo has been traveling to the former True Blue plantation in Fort Motte where her ancestors once toiled and where some of them are buried. Named for the indigo that used to grow in its environs, at True Blue all that can be seen for miles around are cotton fields and red dirt. There is no discernable acknowledgment of the backbreaking, forcibly enslaved labor that once cultivated this sediment and laid the foundations for what stands there today. Gbadebo’s work is included in the permanent collection at the Smithsonian National Museum of African Art, the Minneapolis Institute of Art and the Minnesota Museum of American Art. Adebunmi is currently represented by Claire Oliver Gallery, Harlem, NY.<\/p>\r\n

\"\"<\/a>Edison Pe\u00f1afiel<\/strong><\/a> is an Ecuadorian American artist based in Miami, Fla. Born in Ecuador, Pe\u00f1afiel migrated to the United States to leave the political and economic instability of his native country. His singular style integrates video and multimedia installation to create surreal echoes of our world, environments that translate experience. His work centers the migrant as a subject, informed by his own life. His early photography focuses on deconstruction and perception, absurdity and politics. The use of a camera plays with evidence and fact and their manipulation in media. Socio-economic and political themes deepened with his shift to multimedia installations. By introducing looping video projections, Pe\u00f1afiel imitates the loops that make up our history and present. His visions show people trapped in behaviors of movement and labor, always being watched. Pe\u00f1afiel has presented his work in numerous large-scale projects, site-specific installations and immersive installations, appearing at the Bass Museum, the Museum of Contemporary Art North Miami, the Orlando Museum of Art, the Elsewhere Museum, the Atlantic Center for the Arts and the Museum of Art Fort Lauderdale.<\/p>\r\n

ABOUT THE PRIZE<\/h3>\r\n

THE 1858 PRIZE FOR CONTEMPORARY SOUTHERN ART<\/strong> In recent years, the Gibbes has strengthened its focus on living artists through the 1858 Prize for Contemporary Southern Art. Established in 2007, the Prize awards $10,000 to a living artist whose work contributes to a new understanding of the arts in the South. Presented annually, the prize recognizes an artist whose work demonstrates the highest level of achievement in any media. Entering the 13th year, this Prize has awarded over $130,000 to artists as well as implemented a new initiative to display one work by the Prize Winner in the Mary Jackson Modern and Contemporary Art Gallery within the Gibbes for one year. The Museum has also been fortunate enough to acquire artworks by Prize Winners and Finalists through the years to diversify and expand the contemporary permanent collection.<\/p>\r\n

ABOUT PARTNERING WITH SOCIETY 1858<\/strong> With so much uncertainty in the world right now, let’s focus on what we know. We know that access to art improves individual well-being, unifies communities, strengthens the economy, and has meaningful social impact. That’s why your support as a partner to the Gibbes Museum of Art’s Society 1858 is so important. As a partner, you’re not only supporting the Museum, which has for over a century defined excellence through its collection of American Art, you’re strengthening the Charleston community for the future. Now more than ever we need your support. Sponsorships are a meaningful way for individuals, civic-minded corporations, and foundations to support our high-profile events and reach an influential group of young arts patrons. Your investment in Society 1858 will demonstrate your appreciation for the arts and for the next class of arts advocates in our community.<\/p>\r\n

View full Sponsorship details and benefits for the 2022 Amy P. Coy Forum<\/strong><\/a> and 1858 Winter Party.<\/strong><\/a><\/p>\r\n

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