Lois Mailou Jones – BLACK ART IN AMERICA™ https://earthexhibitions.org/media-archive Fri, 31 Dec 2021 16:33:23 +0000 en hourly 1 https://wordpress.org/?v=6.0.6 https://i0.wp.com/earthexhibitions.org/media-archive/wp-content/uploads/2020/07/cropped-baia_crop01.png?fit=32%2C32&ssl=1 Lois Mailou Jones – BLACK ART IN AMERICA™ https://earthexhibitions.org/media-archive 32 32 136332838 Afro-American Images 1971: The Vision of Percy Ricks https://earthexhibitions.org/media-archive/?p=11143 https://earthexhibitions.org/media-archive/?p=11143#comments Thu, 30 Dec 2021 16:44:11 +0000 http://media-archive.blackartinamerica.com/?p=11143 Afro-American Images 1971: The Vision of Percy Ricks

“Waiting,” 1968. Ernest Crichlow (1914-2005) Lithograph, composition: 12 x 11 1/2 inches, sheet: 18 1/2 x 13 3/4 inches. Delaware Art Museum, Acquisition Fund, 2019. © Estate of Ernest Crichlow.

In February … Read the rest

]]>
Afro-American Images 1971: The Vision of Percy Ricks

“Waiting,” 1968. Ernest Crichlow (1914-2005) Lithograph, composition: 12 x 11 1/2 inches, sheet: 18 1/2 x 13 3/4 inches. Delaware Art Museum, Acquisition Fund, 2019. © Estate of Ernest Crichlow.

In February … Read the rest

]]>
https://earthexhibitions.org/media-archive/?feed=rss2&p=11143 1 11143
How Public Art Projects Expanded Opportunities for a Generation of Black Artists, Part 1 https://earthexhibitions.org/media-archive/?p=10906 https://earthexhibitions.org/media-archive/?p=10906#comments Mon, 13 Dec 2021 13:14:38 +0000 http://media-archive.blackartinamerica.com/?p=10906 How Public Art Projects Expanded Opportunities for a Generation of Black Artists, Part 1
By Yvonne Bynoe

In the 1930s, long before accomplished Black artists were being exhibited in major museums or represented by top galleries in the United States, … Read the rest

]]>
How Public Art Projects Expanded Opportunities for a Generation of Black Artists, Part 1
By Yvonne Bynoe

In the 1930s, long before accomplished Black artists were being exhibited in major museums or represented by top galleries in the United States, … Read the rest

]]>
https://earthexhibitions.org/media-archive/?feed=rss2&p=10906 1 10906
HBCUs: The First Patrons of African-American Art https://earthexhibitions.org/media-archive/?p=9425 Mon, 19 Apr 2021 11:50:13 +0000 http://media-archive.blackartinamerica.com/?p=9425 HBCUs: The First Patrons of African-American Art

by Yvonne Bynoe

“The HBCUs have not been given the credit they are due. When nobody else was out there championing these [Black] artists, HBCUs were there, claiming them, showcasing them, putting them … Read the rest

]]>
HBCUs: The First Patrons of African-American Art

by Yvonne Bynoe

“The HBCUs have not been given the credit they are due. When nobody else was out there championing these [Black] artists, HBCUs were there, claiming them, showcasing them, putting them … Read the rest

]]>
9425
Tinkering with the Source: The Work of Martha Jackson Jarvis https://earthexhibitions.org/media-archive/?p=8710 Thu, 28 Jan 2021 16:35:16 +0000 http://media-archive.blackartinamerica.com/?p=8710 Tinkering with the Source: The Work of Martha Jackson Jarvis

By Shantay Robinson 

 

Washington D.C. based visual artist Martha Jackson Jarvis has a long memory. Living with her grandparents in rural Virginia before moving to Philadelphia with her sister Read the rest

]]>
Tinkering with the Source: The Work of Martha Jackson Jarvis

By Shantay Robinson 

 

Washington D.C. based visual artist Martha Jackson Jarvis has a long memory. Living with her grandparents in rural Virginia before moving to Philadelphia with her sister Read the rest

]]>
8710
Lois Mailou Jones and Outwitting Jim Crow https://earthexhibitions.org/media-archive/?p=8515 https://earthexhibitions.org/media-archive/?p=8515#comments Sun, 27 Dec 2020 04:38:07 +0000 http://media-archive.blackartinamerica.com/?p=8515 Lois Mailou Jones and Outwitting Jim Crow
by Schuyler Price -- art lover, writer and curator of @SheLovesBlackArt

“I was just full of the desire to be an artist and I don’t think anything could have stopped me.” –Lois Mailou Read the rest

]]>
Lois Mailou Jones and Outwitting Jim Crow
by Schuyler Price -- art lover, writer and curator of @SheLovesBlackArt

“I was just full of the desire to be an artist and I don’t think anything could have stopped me.” –Lois Mailou Read the rest

]]>
https://earthexhibitions.org/media-archive/?feed=rss2&p=8515 1 8515
BAIA Talks Podcast: Frank Mitchell, Curator Of Afrocosmologies: American Reflections https://earthexhibitions.org/media-archive/?p=6137 Thu, 21 Nov 2019 11:15:12 +0000 http://media-archive.blackartinamerica.com/?p=6137

Independent curator, Faron Manuel and Jamaal Barber of Studio Noize Podcast interview Frank Mitchell, curator of the exhibition Afrocosmologies: American Reflections at Wadsworth Atheneum Museum of Art for this episode of BAIA Talks.

Afrocosmologies: American Reflections
October 19, 2019 … Read the rest

]]>

Independent curator, Faron Manuel and Jamaal Barber of Studio Noize Podcast interview Frank Mitchell, curator of the exhibition Afrocosmologies: American Reflections at Wadsworth Atheneum Museum of Art for this episode of BAIA Talks.

Afrocosmologies: American Reflections
October 19, 2019 … Read the rest

]]>
6137
Hampton Art Lovers Presents: “Ebony Broadsides, Celebration of the Masters” https://earthexhibitions.org/media-archive/?p=5116 Tue, 16 Apr 2019 17:10:20 +0000 http://media-archive.blackartinamerica.com/?p=5116 Ebony Broadsides, Celebration of the Masters

April 17 – May 31, 2019

Exhibition Times: Tuesday to Saturday from 11am – 5pm

Ward Room House, 249 NW 9th St, Miami, FL 33136

Opening reception: April 17, 6-8pm

Hampton Art Lovers Presents: Read the rest

]]>
Ebony Broadsides, Celebration of the Masters

April 17 – May 31, 2019

Exhibition Times: Tuesday to Saturday from 11am – 5pm

Ward Room House, 249 NW 9th St, Miami, FL 33136

Opening reception: April 17, 6-8pm

Hampton Art Lovers Presents: Read the rest

]]>
5116