little haiti cultural center – BLACK ART IN AMERICA™ https://earthexhibitions.org/media-archive Mon, 16 Dec 2019 15:37:55 +0000 en hourly 1 https://wordpress.org/?v=6.0.6 https://i0.wp.com/earthexhibitions.org/media-archive/wp-content/uploads/2020/07/cropped-baia_crop01.png?fit=32%2C32&ssl=1 little haiti cultural center – BLACK ART IN AMERICA™ https://earthexhibitions.org/media-archive 32 32 136332838 Do You Basel? An Assessment of Black Fairs at Art Basel Miami https://earthexhibitions.org/media-archive/?p=6217 Fri, 13 Dec 2019 19:38:51 +0000 http://media-archive.blackartinamerica.com/?p=6217 Do You Basel? An Assessment of Black Fairs at Art Basel Miami
Angela N Carroll 

In 2011, a small cadre of Black artists, gallery owners, collectors and community leaders from around the nation staged the first small fair of its Read the rest

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Do You Basel? An Assessment of Black Fairs at Art Basel Miami
Angela N Carroll 

In 2011, a small cadre of Black artists, gallery owners, collectors and community leaders from around the nation staged the first small fair of its Read the rest

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6217
Black and Basel during Art Basel Miami Week 2017 https://earthexhibitions.org/media-archive/?p=1915 https://earthexhibitions.org/media-archive/?p=1915#comments Tue, 12 Dec 2017 11:52:47 +0000 http://media-archive.blackartinamerica.com/?p=1915

Transporter by Jude Papaloko.

Three million dollars for Mark Bradford’s Fly in the Buttermilk. That’s the reported price the African American artist’s 2002 work sold for at Art Basel Miami this month. Both blue chip and black owned galleries were Read the rest

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Transporter by Jude Papaloko.

Three million dollars for Mark Bradford’s Fly in the Buttermilk. That’s the reported price the African American artist’s 2002 work sold for at Art Basel Miami this month. Both blue chip and black owned galleries were Read the rest

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