Kehinde Wiley – BLACK ART IN AMERICA™ https://earthexhibitions.org/media-archive Tue, 28 Sep 2021 19:19:17 +0000 en hourly 1 https://wordpress.org/?v=6.0.6 https://i0.wp.com/earthexhibitions.org/media-archive/wp-content/uploads/2020/07/cropped-baia_crop01.png?fit=32%2C32&ssl=1 Kehinde Wiley – BLACK ART IN AMERICA™ https://earthexhibitions.org/media-archive 32 32 136332838 Why Successful Black Artists Are Creating Residency Programs To Mentor Younger Artists https://earthexhibitions.org/media-archive/?p=10244 https://earthexhibitions.org/media-archive/?p=10244#comments Wed, 15 Sep 2021 12:55:24 +0000 http://media-archive.blackartinamerica.com/?p=10244 Why Successful Black Artists Are Creating Residency Programs To Mentor Younger Artists
by Yvonne Bynoe
 

Up until the sixties, the gallery system would have X number of artists, established artists—like, ten. Those artists very often decided who the one

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Why Successful Black Artists Are Creating Residency Programs To Mentor Younger Artists
by Yvonne Bynoe
 

Up until the sixties, the gallery system would have X number of artists, established artists—like, ten. Those artists very often decided who the one

Read the rest ]]>
https://earthexhibitions.org/media-archive/?feed=rss2&p=10244 1 10244
10 Must See Documentaries on African-American Art https://earthexhibitions.org/media-archive/?p=9986 Sat, 07 Aug 2021 12:23:09 +0000 http://media-archive.blackartinamerica.com/?p=9986 10 Must See Documentaries on African-American Art
by Yvonne Bynoe

It can be overwhelming to know where to begin when you want to learn more about African-American art, so here is a list of 10 must see documentaries that you … Read the rest

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10 Must See Documentaries on African-American Art
by Yvonne Bynoe

It can be overwhelming to know where to begin when you want to learn more about African-American art, so here is a list of 10 must see documentaries that you … Read the rest

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How Monuments Are Re-telling American History https://earthexhibitions.org/media-archive/?p=9853 https://earthexhibitions.org/media-archive/?p=9853#comments Sat, 10 Jul 2021 13:08:32 +0000 http://media-archive.blackartinamerica.com/?p=9853 How Monuments Are Re-telling American History
by Yvonne Bynoe

Art allows us to expand our vision of who we are and, for Black Americans, also who we have been.

In September 2019, Kehinde Wiley’s first work of public art, Rumors Read the rest

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How Monuments Are Re-telling American History
by Yvonne Bynoe

Art allows us to expand our vision of who we are and, for Black Americans, also who we have been.

In September 2019, Kehinde Wiley’s first work of public art, Rumors Read the rest

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https://earthexhibitions.org/media-archive/?feed=rss2&p=9853 2 9853
How the Hip Hop Generation Is Disrupting the Art World https://earthexhibitions.org/media-archive/?p=9501 https://earthexhibitions.org/media-archive/?p=9501#comments Tue, 04 May 2021 12:08:03 +0000 http://media-archive.blackartinamerica.com/?p=9501 How the Hip Hop Generation Is Disrupting the Art World
by Yvonne Bynoe

“Beyonce and Jay-Z” (2020) by Chuck Styles. Painting image reproduced with permission. Copyright 2020. All rights reserved.

We must begin to tell our young/There’s a world waiting Read the rest

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How the Hip Hop Generation Is Disrupting the Art World
by Yvonne Bynoe

“Beyonce and Jay-Z” (2020) by Chuck Styles. Painting image reproduced with permission. Copyright 2020. All rights reserved.

We must begin to tell our young/There’s a world waiting Read the rest

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HBCUs: The First Patrons of African-American Art https://earthexhibitions.org/media-archive/?p=9425 Mon, 19 Apr 2021 11:50:13 +0000 http://media-archive.blackartinamerica.com/?p=9425 HBCUs: The First Patrons of African-American Art

by Yvonne Bynoe

“The HBCUs have not been given the credit they are due. When nobody else was out there championing these [Black] artists, HBCUs were there, claiming them, showcasing them, putting them … Read the rest

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HBCUs: The First Patrons of African-American Art

by Yvonne Bynoe

“The HBCUs have not been given the credit they are due. When nobody else was out there championing these [Black] artists, HBCUs were there, claiming them, showcasing them, putting them … Read the rest

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Approaching the Table: The Rich and Strange Plight of African American Representation within Major Museums https://earthexhibitions.org/media-archive/?p=7970 Thu, 27 Aug 2020 12:46:30 +0000 http://media-archive.blackartinamerica.com/?p=7970 Approaching the Table:

The Rich and Strange Plight of African American Representation within Major Museums

by D. Amari Jackson

“Full fathom five thy father lies.

Of his bones are coral made.

Those are pearls that were his eyesRead the rest

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Approaching the Table:

The Rich and Strange Plight of African American Representation within Major Museums

by D. Amari Jackson

“Full fathom five thy father lies.

Of his bones are coral made.

Those are pearls that were his eyesRead the rest

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Regenerative Figures: Artistic Conversations of Conteh, White, and Hendricks https://earthexhibitions.org/media-archive/?p=7861 Wed, 05 Aug 2020 10:10:57 +0000 http://media-archive.blackartinamerica.com/?p=7861 Regenerative Figures: Artistic Conversations of Conteh, White, and Hendricks

Alfred Conteh, A, from Two Fronts Series. Image courtesy of September Gray Fine Arts Gallery.

In a masterful dialogue, clever banter, colorful tones, and audible calls and responses take place. The Read the rest

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Regenerative Figures: Artistic Conversations of Conteh, White, and Hendricks

Alfred Conteh, A, from Two Fronts Series. Image courtesy of September Gray Fine Arts Gallery.

In a masterful dialogue, clever banter, colorful tones, and audible calls and responses take place. The Read the rest

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Moving Monuments and Considering Community: Public Art By Kehinde Wiley And Vinnie Bagwell https://earthexhibitions.org/media-archive/?p=6280 Mon, 30 Dec 2019 19:12:52 +0000 http://media-archive.blackartinamerica.com/?p=6280 Moving Monuments and Considering Community
By Shantay Robinson

According to Americans for the Arts, “Public art is often site-specific, meaning it is created in response to the place and community in which it resides.” In a document describing why Read the rest

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Moving Monuments and Considering Community
By Shantay Robinson

According to Americans for the Arts, “Public art is often site-specific, meaning it is created in response to the place and community in which it resides.” In a document describing why Read the rest

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BAIA Talks Podcast: Frank Mitchell, Curator Of Afrocosmologies: American Reflections https://earthexhibitions.org/media-archive/?p=6137 Thu, 21 Nov 2019 11:15:12 +0000 http://media-archive.blackartinamerica.com/?p=6137

Independent curator, Faron Manuel and Jamaal Barber of Studio Noize Podcast interview Frank Mitchell, curator of the exhibition Afrocosmologies: American Reflections at Wadsworth Atheneum Museum of Art for this episode of BAIA Talks.

Afrocosmologies: American Reflections
October 19, 2019 … Read the rest

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Independent curator, Faron Manuel and Jamaal Barber of Studio Noize Podcast interview Frank Mitchell, curator of the exhibition Afrocosmologies: American Reflections at Wadsworth Atheneum Museum of Art for this episode of BAIA Talks.

Afrocosmologies: American Reflections
October 19, 2019 … Read the rest

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Vitus Shell: Something The Folks Down Home Can Connect With https://earthexhibitions.org/media-archive/?p=5799 Tue, 27 Aug 2019 16:53:50 +0000 http://media-archive.blackartinamerica.com/?p=5799 Vitus Shell: Something The Folks Down Home Can Connect With

Lighter, Vitus Shell

Vitus Shell has seen a lot of worlds. Monroe, Louisiana where he grew up, Memphis, Tennessee where he was educated, and life overall. He loves drawing on Read the rest

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Vitus Shell: Something The Folks Down Home Can Connect With

Lighter, Vitus Shell

Vitus Shell has seen a lot of worlds. Monroe, Louisiana where he grew up, Memphis, Tennessee where he was educated, and life overall. He loves drawing on Read the rest

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