david hammons – BLACK ART IN AMERICA™ https://earthexhibitions.org/media-archive Mon, 04 Apr 2022 15:09:39 +0000 en hourly 1 https://wordpress.org/?v=6.0.6 https://i0.wp.com/earthexhibitions.org/media-archive/wp-content/uploads/2020/07/cropped-baia_crop01.png?fit=32%2C32&ssl=1 david hammons – BLACK ART IN AMERICA™ https://earthexhibitions.org/media-archive 32 32 136332838 Tales from The b.a.SKET: Black Art Sketches for the Contemporary Art Lover https://earthexhibitions.org/media-archive/?p=12037 Fri, 15 Apr 2022 09:09:22 +0000 http://media-archive.blackartinamerica.com/?p=12037 Tales from The b.a.SKET: Black Art Sketches for the Contemporary Art Lover
By D. Amari Jackson

This week, we reach into the b.a.SKET and pull out David Hammons’s The Door…

Ironically, schoolgirl Linda Carol Brown attended the excellent all-Black school, … Read the rest

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Tales from The b.a.SKET: Black Art Sketches for the Contemporary Art Lover
By D. Amari Jackson

This week, we reach into the b.a.SKET and pull out David Hammons’s The Door…

Ironically, schoolgirl Linda Carol Brown attended the excellent all-Black school, … Read the rest

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Tales from The b.a.SKET: Black Art Sketches for the Contemporary Art Lover https://earthexhibitions.org/media-archive/?p=11668 Fri, 04 Mar 2022 09:28:29 +0000 http://media-archive.blackartinamerica.com/?p=11668 Tales from The b.a.SKET: Black Art Sketches for the Contemporary Art Lover
By D. Amari Jackson

This week, we reach into the b.a.SKET and pull out Hope Imprisoned by Charles White…

Charles White was sick.

In 1944, the talented … Read the rest

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Tales from The b.a.SKET: Black Art Sketches for the Contemporary Art Lover
By D. Amari Jackson

This week, we reach into the b.a.SKET and pull out Hope Imprisoned by Charles White…

Charles White was sick.

In 1944, the talented … Read the rest

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Amending Black Narratives To Expand American Art History: Seismic Change In Artist Empowerment, Honest Scholarship, Gallery Representation, And Museum Leadership Fuels Burgeoning Market  https://earthexhibitions.org/media-archive/?p=8921 Fri, 12 Feb 2021 15:23:24 +0000 http://media-archive.blackartinamerica.com/?p=8921 Amending Black Narratives To Expand American Art History: Seismic Change In Artist Empowerment, Honest Scholarship, Gallery Representation, And Museum Leadership Fuels Burgeoning Market 
By Natasha Gural

 

More than half a century after the Metropolitan Museum of Art’s 1969 disputed Read the rest

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Amending Black Narratives To Expand American Art History: Seismic Change In Artist Empowerment, Honest Scholarship, Gallery Representation, And Museum Leadership Fuels Burgeoning Market 
By Natasha Gural

 

More than half a century after the Metropolitan Museum of Art’s 1969 disputed Read the rest

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Art of the Crossover: Jewels, Shackles, and Black Gallery Perspectives on Artists Leaving for Whiter Pastures https://earthexhibitions.org/media-archive/?p=8034 https://earthexhibitions.org/media-archive/?p=8034#comments Wed, 09 Sep 2020 09:29:28 +0000 http://media-archive.blackartinamerica.com/?p=8034 Art of the Crossover: Jewels, Shackles, and Black Gallery

Perspectives on Artists Leaving for Whiter Pastures

by D. Amari Jackson

 

thinking about a pop record, somethin’ made for the station

for a whole new relation

ship of a Read the rest

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Art of the Crossover: Jewels, Shackles, and Black Gallery

Perspectives on Artists Leaving for Whiter Pastures

by D. Amari Jackson

 

thinking about a pop record, somethin’ made for the station

for a whole new relation

ship of a Read the rest

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Regenerative Figures: Artistic Conversations of Conteh, White, and Hendricks https://earthexhibitions.org/media-archive/?p=7861 Wed, 05 Aug 2020 10:10:57 +0000 http://media-archive.blackartinamerica.com/?p=7861 Regenerative Figures: Artistic Conversations of Conteh, White, and Hendricks

Alfred Conteh, A, from Two Fronts Series. Image courtesy of September Gray Fine Arts Gallery.

In a masterful dialogue, clever banter, colorful tones, and audible calls and responses take place. The Read the rest

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Regenerative Figures: Artistic Conversations of Conteh, White, and Hendricks

Alfred Conteh, A, from Two Fronts Series. Image courtesy of September Gray Fine Arts Gallery.

In a masterful dialogue, clever banter, colorful tones, and audible calls and responses take place. The Read the rest

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Living Left of Center https://earthexhibitions.org/media-archive/?p=7048 Sun, 22 Mar 2020 22:01:55 +0000 http://media-archive.blackartinamerica.com/?p=7048 Living Left of Center
Kelli Morgan, PhD

What does it mean to be left of center? 

The question almost begs for an innumerable amount of convoluted answers. If taken literally, one can offer a brief response that describes the condition Read the rest

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Living Left of Center
Kelli Morgan, PhD

What does it mean to be left of center? 

The question almost begs for an innumerable amount of convoluted answers. If taken literally, one can offer a brief response that describes the condition Read the rest

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Do You Basel? An Assessment of Black Fairs at Art Basel Miami https://earthexhibitions.org/media-archive/?p=6217 Fri, 13 Dec 2019 19:38:51 +0000 http://media-archive.blackartinamerica.com/?p=6217 Do You Basel? An Assessment of Black Fairs at Art Basel Miami
Angela N Carroll 

In 2011, a small cadre of Black artists, gallery owners, collectors and community leaders from around the nation staged the first small fair of its Read the rest

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Do You Basel? An Assessment of Black Fairs at Art Basel Miami
Angela N Carroll 

In 2011, a small cadre of Black artists, gallery owners, collectors and community leaders from around the nation staged the first small fair of its Read the rest

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Decolonizing Performance Art: Phylicia Ghee Uses Ritual Performance to Heal the Generational Trauma of Black Women https://earthexhibitions.org/media-archive/?p=6058 Wed, 23 Oct 2019 11:35:55 +0000 http://media-archive.blackartinamerica.com/?p=6058 Decolonizing Performance Art: Phylicia Ghee Uses Ritual Performance to Heal the Generational Trauma of Black Women
Angela N. Carroll 

Performance art is difficult to encapsulate; it is a hyper-malleable and perpetually shape-shifting genre. In the 1960s, artist Allan Kaprow called Read the rest

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Decolonizing Performance Art: Phylicia Ghee Uses Ritual Performance to Heal the Generational Trauma of Black Women
Angela N. Carroll 

Performance art is difficult to encapsulate; it is a hyper-malleable and perpetually shape-shifting genre. In the 1960s, artist Allan Kaprow called Read the rest

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Black Then: Spotlight on Charles Wilbert White https://earthexhibitions.org/media-archive/?p=5975 https://earthexhibitions.org/media-archive/?p=5975#comments Mon, 30 Sep 2019 20:32:52 +0000 http://media-archive.blackartinamerica.com/?p=5975 Black Then: Spotlight on Charles Wilbert White

While a Chicago native, Charles W. White, Jr. was a seminal creator in the Los Angeles art scene for decades. 

Born in 1918 into a working-class black family, White was also surrounded immediately Read the rest

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Black Then: Spotlight on Charles Wilbert White

While a Chicago native, Charles W. White, Jr. was a seminal creator in the Los Angeles art scene for decades. 

Born in 1918 into a working-class black family, White was also surrounded immediately Read the rest

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Black Refractions: Highlights from The Studio Museum in Harlem At The Gibbes Museum https://earthexhibitions.org/media-archive/?p=5248 Tue, 21 May 2019 11:16:01 +0000 http://media-archive.blackartinamerica.com/?p=5248 The Gibbes Museum of Art to Exhibit Black Refractions: Highlights from The Studio Museum in Harlem

 

The Gibbes Museum of Art is pleased to present Black Refractions: Highlights from The Studio Museum in Harlem, a major traveling exhibition … Read the rest

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The Gibbes Museum of Art to Exhibit Black Refractions: Highlights from The Studio Museum in Harlem

 

The Gibbes Museum of Art is pleased to present Black Refractions: Highlights from The Studio Museum in Harlem, a major traveling exhibition … Read the rest

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