Betye Saar – BLACK ART IN AMERICA™ https://earthexhibitions.org/media-archive Tue, 02 Aug 2022 12:30:33 +0000 en hourly 1 https://wordpress.org/?v=6.0.6 https://i0.wp.com/earthexhibitions.org/media-archive/wp-content/uploads/2020/07/cropped-baia_crop01.png?fit=32%2C32&ssl=1 Betye Saar – BLACK ART IN AMERICA™ https://earthexhibitions.org/media-archive 32 32 136332838 Close Looking: Betye Saar – Not Easily Expressed https://earthexhibitions.org/media-archive/?p=12651 Wed, 15 Jun 2022 11:34:02 +0000 http://media-archive.blackartinamerica.com/?p=12651

Close Looking: Betye Saar – Not Easily Expressed

                                       By: Shantay Robinson

Betye Saar’s career took off in the 1970s in an environment fraught with issues. Civil Rights legislation was being enacted and women collectively advocated for their inalienable rights. On

Read the rest ]]>

Close Looking: Betye Saar – Not Easily Expressed

                                       By: Shantay Robinson

Betye Saar’s career took off in the 1970s in an environment fraught with issues. Civil Rights legislation was being enacted and women collectively advocated for their inalienable rights. On

Read the rest ]]>
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Tales from The b.a.SKET: Black Art Sketches for the Contemporary Art Lover https://earthexhibitions.org/media-archive/?p=11808 Fri, 25 Mar 2022 09:14:29 +0000 http://media-archive.blackartinamerica.com/?p=11808 Tales from The b.a.SKET: Black Art Sketches for the Contemporary Art Lover
By D. Amari Jackson

This week, we reach into the b.a.SKET and pull out The 1972 Liberation of Aunt Jemima…

The idea was borne of violence. In 1972, … Read the rest

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Tales from The b.a.SKET: Black Art Sketches for the Contemporary Art Lover
By D. Amari Jackson

This week, we reach into the b.a.SKET and pull out The 1972 Liberation of Aunt Jemima…

The idea was borne of violence. In 1972, … Read the rest

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BAIA BITS: Frederick Douglass https://earthexhibitions.org/media-archive/?p=10530 Fri, 22 Oct 2021 21:33:24 +0000 http://media-archive.blackartinamerica.com/?p=10530 BAIA BITS

Little Moments Where Knowledge Meets Art

Born into slavery in Talbot County, Maryland some time around 1818, Frederick Augustus Washington Bailey lived an impactful life. As a youth, Bailey was chosen to live in the house … Read the rest

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BAIA BITS

Little Moments Where Knowledge Meets Art

Born into slavery in Talbot County, Maryland some time around 1818, Frederick Augustus Washington Bailey lived an impactful life. As a youth, Bailey was chosen to live in the house of … Read the rest

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Tinkering with the Source: The Work of Martha Jackson Jarvis https://earthexhibitions.org/media-archive/?p=8710 Thu, 28 Jan 2021 16:35:16 +0000 http://media-archive.blackartinamerica.com/?p=8710 Tinkering with the Source: The Work of Martha Jackson Jarvis

By Shantay Robinson 

 

Washington D.C. based visual artist Martha Jackson Jarvis has a long memory. Living with her grandparents in rural Virginia before moving to Philadelphia with her sister Read the rest

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Tinkering with the Source: The Work of Martha Jackson Jarvis

By Shantay Robinson 

 

Washington D.C. based visual artist Martha Jackson Jarvis has a long memory. Living with her grandparents in rural Virginia before moving to Philadelphia with her sister Read the rest

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Assemblage: Surpassing the Original Intent https://earthexhibitions.org/media-archive/?p=8228 https://earthexhibitions.org/media-archive/?p=8228#comments Sun, 25 Oct 2020 03:24:20 +0000 http://media-archive.blackartinamerica.com/?p=8228 Assemblage: Surpassing the Original Intent
By Shantay Robinson

According to MoMA, assemblage is a three-dimensional artwork made of found objects or non-traditional materials. Assemblage made its appearance in European museums in 1912 when Pablo Picasso created Still Life, a Read the rest

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Assemblage: Surpassing the Original Intent
By Shantay Robinson

According to MoMA, assemblage is a three-dimensional artwork made of found objects or non-traditional materials. Assemblage made its appearance in European museums in 1912 when Pablo Picasso created Still Life, a Read the rest

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Art of the Crossover: Jewels, Shackles, and Black Gallery Perspectives on Artists Leaving for Whiter Pastures https://earthexhibitions.org/media-archive/?p=8034 https://earthexhibitions.org/media-archive/?p=8034#comments Wed, 09 Sep 2020 09:29:28 +0000 http://media-archive.blackartinamerica.com/?p=8034 Art of the Crossover: Jewels, Shackles, and Black Gallery

Perspectives on Artists Leaving for Whiter Pastures

by D. Amari Jackson

 

thinking about a pop record, somethin’ made for the station

for a whole new relation

ship of a Read the rest

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Art of the Crossover: Jewels, Shackles, and Black Gallery

Perspectives on Artists Leaving for Whiter Pastures

by D. Amari Jackson

 

thinking about a pop record, somethin’ made for the station

for a whole new relation

ship of a Read the rest

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https://earthexhibitions.org/media-archive/?feed=rss2&p=8034 3 8034
Black Art Auction Host Historic Auction Of African American Fine Art May 16  https://earthexhibitions.org/media-archive/?p=6736 Tue, 03 Mar 2020 11:22:24 +0000 http://media-archive.blackartinamerica.com/?p=6736 Black Art Auction Host Historic Auction Of African American Fine Art May 16

BLACK ART AUCTION is the only auction house in the world solely dedicated to selling African American Fine Art.

Alma Thomas, Untitled, 1972, watercolor on paper, 7

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Black Art Auction Host Historic Auction Of African American Fine Art May 16

BLACK ART AUCTION is the only auction house in the world solely dedicated to selling African American Fine Art.

Alma Thomas, Untitled, 1972, watercolor on paper, 7

Read the rest

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Black Refractions: Highlights from The Studio Museum in Harlem At The Gibbes Museum https://earthexhibitions.org/media-archive/?p=5248 Tue, 21 May 2019 11:16:01 +0000 http://media-archive.blackartinamerica.com/?p=5248 The Gibbes Museum of Art to Exhibit Black Refractions: Highlights from The Studio Museum in Harlem

 

The Gibbes Museum of Art is pleased to present Black Refractions: Highlights from The Studio Museum in Harlem, a major traveling exhibition … Read the rest

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The Gibbes Museum of Art to Exhibit Black Refractions: Highlights from The Studio Museum in Harlem

 

The Gibbes Museum of Art is pleased to present Black Refractions: Highlights from The Studio Museum in Harlem, a major traveling exhibition … Read the rest

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Hampton Art Lovers Presents: “Ebony Broadsides, Celebration of the Masters” https://earthexhibitions.org/media-archive/?p=5116 Tue, 16 Apr 2019 17:10:20 +0000 http://media-archive.blackartinamerica.com/?p=5116 Ebony Broadsides, Celebration of the Masters

April 17 – May 31, 2019

Exhibition Times: Tuesday to Saturday from 11am – 5pm

Ward Room House, 249 NW 9th St, Miami, FL 33136

Opening reception: April 17, 6-8pm

Hampton Art Lovers Presents: Read the rest

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Ebony Broadsides, Celebration of the Masters

April 17 – May 31, 2019

Exhibition Times: Tuesday to Saturday from 11am – 5pm

Ward Room House, 249 NW 9th St, Miami, FL 33136

Opening reception: April 17, 6-8pm

Hampton Art Lovers Presents: Read the rest

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Putting Their Money Where the Black Art Is: Museums Collect African American Art https://earthexhibitions.org/media-archive/?p=4632 https://earthexhibitions.org/media-archive/?p=4632#comments Fri, 14 Dec 2018 18:45:43 +0000 http://media-archive.blackartinamerica.com/?p=4632 Putting Their Money Where the Black Art Is: Museums Collect African American Art
By Shantay Robinson

 

The mainstream art market opened up in the 1990s, allowing non-white and women artists entrée into significant artworld institutions. In a 2004 talk Read the rest

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Putting Their Money Where the Black Art Is: Museums Collect African American Art
By Shantay Robinson

 

The mainstream art market opened up in the 1990s, allowing non-white and women artists entrée into significant artworld institutions. In a 2004 talk Read the rest

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